(1) piramam marriage consisting in the gift by a father of his daughter, aged twelve, before her second menstruation, adorned with jewels, to a bachelor of forty-eight, learned in the ve_das (Tol. Po. 92, Urai); piramam potter's wheel < bhrama whirlwind; giddiness (Ta.lex.)
(2) teyvam < daiva a form of marriage in which the sacrificer gives away his daughter to an officiating priest before the sacrificial fire, as the latter's fee; teyvaman.am id. (Tol. Po. 92, Urai.); teyvakkil.avi divine speech (Man.i. 7,97); Sanskrit, as the language of the gods (Man.i. 21,46)(Ta.lex.)
(3) pira_ca_pattiyam a form of marriage which consists in the gift of a girl by her father to the bridegroom without receiving bride-price from him; a form of marriage which consists in the gift of a girl with property or other valuables worth double the bride-price received (Tol. Po. 92, Urai); a form of marriage which consists in the gift of a girl to a proper person of her maternal uncle's or paternal aunt's family, when a proposal is made (Ir-ai. 1, Urai); intervention; pira_ca_tam < pra_sa_da temple; top story of a lofty building; the sanctum sanctorum of a temple (Cukkirani_ti, 239); oppu (Ir-ai. 1,22) (Ta.lex.)
(4) a_rs.o_d.ha_ a wife married according to the a_rs.a form of marriage (Skt.lex.) a_rit.am < a_rs.a that which relates to or is derived from the R.s.is (Tol. Po. 145, Urai); marriage in which the bride and bridegroom are placed between a cow and a bull both well decorated (Tol. Po. 92, Urai); marriage in which the fater gives away his daughter according to the rule before the sacred fire, after receiving from the bridegroom for the fulfilment of the sacred law a cow and a bull or two pairs as a present (Nampiyakap. 117, Urai); a_rit.ar < a_rs.a R.s.is, sages (Kantapu. Me_rup. 17)(Ta.lex.) cf. a_rs.a a form of marriage derived from the rs.is; one of the eight forms of marriage in which the father of the bride received one or two pairs of cows from the bridegroom (Skt.lex.) cf. r.s.i inspired singer (RV.)(CDIAL 2460). r.s.i, ris.i, risi, rus.i, rusi an inspired poet, a particular sage, a saint; r.s.i vadhu a wife of any of the principal r.s.is (Ka.lex.) a_rs.e_ya relating to r.s.is; very ancient (Ka.lex.) r.s.ya s'r.n:ga name of a personage whose story is told in the first book of the Ra_ma_yan.a (Ka.lex.) r.s.yamu_ka a mountain in the Dekhan, temporary abode of Ra_ma_ and Sugri_va (Ka.lex.) r.s.abha, vr.s.abha a bull; best, excellent (Ka.Skt.)(Ka.lex.) Image: antelope: r.s.ya the painted or white-footed antelope (Ka.Skt.)(Ka.lex.) Image: bull: a_rs.abhya (fr. r.s.abha) a steer sufficiently full-grown to be used; hareyada ettu, ho_vi; a steer fit to be castrated; hid.i ho_ri (Ka.lex.)
(5) ka_ntaruvam < ga_ndharva a form of marriage which results entirely from love and which has no ritual whatever, as common among Gandharvas (Tol. Po. 92, Urai.); ka_ntarppam id. (Kampara_. Cu_rppan.a. 54); ka_ntaruppam id. (Kampara_. Mu_lapala. 182); ka_ntiruvam id. (Ta.lex.)
(6) a_curam < a_sura that which belongs or relates to Asuras (Kampara_. Ira_van.an-vatai. 97); a form of marriage in which the bridegroom obtains the bride by bedecking her with jewels and by paying what is known as bride's price to her father and paternal kinsmen (Nampiyakap. 117, Urai.); acuram acquirement of a bride by the successful performance of some valiant deed enjoined by her father, as the seizing of a wild bull (Tol. Po. 93, Urai.); acuraman.am id. (Ta.lex.)
(7) ira_kkatam < ra_ks.asa a form of marriage in which the bride is carried away by force without her consent or the permission of her relatives, a form characteristic of Ra_ks.asas (Tol. Po. 92, Urai.); ira_t.cacam ancient form of marriage in which the bride was carried away by force (Ta.lex.)
(8) paica_cam < pais'a_ca a form of marriage in which a man embraces a sleeping or intoxicated woman or a woman older than himself or of a lower caste, as prevailing among the Pis'a_cas (Tol. Po. 92, Urai.)(Ta.lex.)
8096.Celestial hosts: patin-en-kan.am are eighteen classes of celestial hosts (Pur-ana_. 1, Urai.); kan.am < gan.a group; collection; class; tribe; clan; clock; herd; series (Na_lat.i, 25); company, assembly, concourse of people (Tiva_.)(Ta.lex.) The 18 classes of celestial hosts, kan.am are given in (Pin..): (i) amarar, (ii) cittar, (iii) acurar, (iv) taittiyar (daitya), (v) karut.ar, (vi) kin-n-arar, (vii) nirutar, (viii) kimpurut.ar, (ix) kantaruvar, (x) iyakkar (yaks.a), (xi) vicaiyar, (xii) pu_tar, (xiii) pica_car, (xiv) antarar, (xv) mun-ivar, (xvi) urakar, (xvii) a_ka_cava_ciyar, and (xviii) po_ka-pu_miyar (Ta.lex.) 8097.Occupations of a ks.atriyya: The six occupations of a ks.atriya are: o_tal, ve_t.t.al, i_tal, pat.ai-k-kalam payir-al, palluyiro_mpal, pakai-t-tir-an terutal (Kur-al.. 384, Urai): reciting (as the ve_da), sacrificing, giving gifts, training in the use of weapons and arms, protecting the many lives, punishing the enemies (Ta.lex.)[pat.ai-k-kala-k-kur-avan mi_n.t.u po_tarumal.avil (Tiruvil.ai. An:kam.12) weapons, arms; missile; steel]. 8098.The insignia of a king: The insignia are 21: mut.i (crown), kut.ai (umbrella), kavari (yak-tail fan), to_t.t.i (sharp weapon planted in the ground), muracu (war-drum, tabour), cakkaram (wheel), ya_n-ai (elephant), kot.i (flag), matil (fortification), to_ran.am (ornamented gateway surmounted with an arch; ni_rkut.am (water-pot), pu_ma_lai (flower-garland), can:ku (conch), kat.al (sea), makaram (crocodile), a_mai (tortoise), in.ai-k-kayal (brace or carp (a tank-fish, cyprinus fimbriatus ) in gold or silver, an auspicious object carried before kings), cin:kam (lion), ti_pam (lamp), it.apam (< r.s.abha bull), a_can-am (throne)(Ta.lex.) 8099.Ornamental curves of a crown: Five ornamental types of crowns are identified by their shapes (mut.i-y-ur-uppu): ta_mam (wreath-shaped), mukut.am (cock's comb-shaped), patumam (lotus-shaped), ko_t.akam (tapering, curved), kimpuri (shaped like the mouth of a shark)(Ta.lex.) 8100.Terms related to war:cf. Srinivasa Aiyangar, P.T., Pre-Aryan Tamil Culture, Repr. Asian Educational Services, New Delhi, 1985.kat.t.il throne; a construction of boards tied together to form a seat
ka_l.ai, erutu, vit.ai, ir-a_l, e_r-u, kun.t.ai, ku_l.i, kot.t.iyam, ko_, ce_, pagat.u, pa_n.t.il, pa_ral, pullam, pu_n.i, per-r-am, po_ttu, mu_ri bull.
ya_n-ai, kal.iru, ar-uku, a_mpal, immat.i, umpal, uva_, er-umpu, oruttal, o_n:kal, kat.ivai, kal.van-, kar-ai-y-at.i, kaippuli, kaimmalai, kaimma_, ko_t.t.uma_, cun.t.a_li, cu_kai, tin.t.i, tumpi, tu_n:kal, tel.l.i, to_l, na_lva_y, nu_r..il, pakat.u, pukarmukam, pur..akkai, pu_t.kai, peruma_, pon:kat.i, marun.ma_, mar-amali, moy, vayama_, vallilan:ku, var..uvai, ve_r..am elephant
mut.i crown; band; mummut.i triple crown {Warlike operations were of five types or sub-divisions of pur-am: vet.ci preliminary lifting of the enemy's cattle and confining them in a pen in one's own country, a method of declaration of war; vaci expedition into the enemy's country; tu-ur..ir..ai (ur..iai) siege of the forts; tumpai fierce fighting; va_kai final victory; these correspond to names of flowers which symbolize the events called -tin.ai subdivided into tur-ai: kur-ici (hilly region), mullai (wooded country surrounding the lower river valleys), marutam (capital in the heart of the agricultural tract), neytal (maritime tract), pa_lai (desert tract).
karo_t.ikai garland for the hair-knot
po_r war
can.t.ai war
ceru war
muran. war
tevvu war
amar war DEDR 162
a_rppu war
ikal war DEDR 413
ur-ar..vu war
kan.aiyam war DEDR 1166
katan-am war
kali war DEDR 1308
kurampu war DEDR 1772
ku_t.t.am war DEDR 1882
camar war
ja_t.pu war
ta_kku war DEDR 3150
tir-al war
tummai war DEDR 3327
nikam war DEDR 3660
nikarppu war
pan.t.an-am war
malaippu war
malaivur-al war
muyal war DEDR 4967
moy war
vir-appu war DEDR 5439
vin-ai war DEDR 5445
mar-po_r wrestling
kal.am field of battle
kal.ari field of battle DEDR 1376
par-antalai field of battle
mutunilam field of battle
pat.ai army
ta_n-ai army
an.i army group
un.t.ai army group
ot.t.u army group
a_kkam front rank of army
kot.i-p-pat.ai front rank of army
ta_r front rank of army
tu_ci front rank of army
nirai front rank of army
ku_r..ai back rank of army
mar-ali god of death
pa_kan- mahout
kantu post to which elephant is tied
tar-i post to which elephant is tied
a_lai elephant-house
o_t.ai face-plate of an elephant
sur..i face-plate of an elephant
tat.i club
erar.. club
tan.t.u club
kun.il short club
vil bow
kokkarai bow
cilai bow
tat.i bow
tavar bow
mun-i bow
kot.umaram bow, bent-wood
va_l. sword
uvan.i sword
e_ti sword
kat.uttalai sword
tuvat.t.i sword
navir sword
na_ttam sword
vacam sword
val. sword
kur-umpit.i short sword
curikai short sword
katti short sword
ko_n.am bent sword
i_t.t.i spear
it.t.i spear
kar..ukkat.ai spear
kar..umul. spear
ve_l lance, javelin
eyil javelin -- implement of Murukan- DEDR 808
aran.am javelin -- implement of Murukan-
e(h.)kam javelin -- implement of Murukan-; cf. e(h.)ku sharp; steel
kundam javelin -- implement of Murukan-
ja_n:kar javelin -- implement of Murukan-
ut.ampit.i short javelin
vit.t.er-u short javelin
kar..u trident
ka_r.. trident
mar..u battle-axe
kan.icci battle-axe
kunda_l.i battle-axe
kul.ir battle-axe
tan.n.am battle-axe
ampu arrow
kan.ai arrow
katiram arrow; cf. katir ray; spike
ko_ arrow
ko_l arrow
tot.ai arrow
to_n.i arrow
pagar..i arrow
pal.l.am arrow
put.ai arrow
van.t.u arrow
va_l.i arrow
na_n. string of the bow
na_n.i string of the bow
pu_ram string of the bow
a_vam string of the bow
tot.ai string of the bow
na_ri string of the bow
narampu string of the bow
pu_t.t.u string of th ebow
ut.u point on the string where the arrow was placed
ke_t.akam shield
kit.uku shield
kat.akam shield
tat.t.u shield
paricai shield
palakai shield
mar-ai shield
vat.t.an.am shield
vat.t.am shield
to_l shield made of hide
tor-param shield made of hide
tan.t.ai shield made of cane
val.l.i shield made of cane
me_r..akam coat of armour
aran.i coat of armour
a_cu coat of armour
kantal.am coat of armour
kaipput.ai the hands
kappal, o_t.am, ampi, to_n.i, teppam, parical, pat.aku, kalam, ut.upam, ko_lam, tol.l.am, pakat.u, pat.uvai, pat.t.i, puruvai, pun.ai, mitavai, val.l.am, timil boat; cf. arimuka-v-ampi boat with head shaped like a lion; karimuka-v-ampi boat with head shaped like an elephant; kutirai-muka-v-ampi boat with head shaped like a horse
teppam float made of logs bound together
timil a catamaran for fishing
to_n.i a wicker work boat or construction covered with hide
valam a dugout canoe
pat.aku, kappal sailing boats
o_t.am boat rowed with oars
ku_mpu mast of a sailing boat
pa_y, itai sail of a sail-boat
ampi, o_n:kal, kalam, cata_, con:ku, timil, tol.l.ai, to_n.i, navvu, pa_h.ri, pa_tai, para_ti, pa_r-u, pun.ai, po_tam, matalai, van:kam ship
kalappai, itai, ur..upat.ai, kalan-ai, a_cil, tot.uppu, pat.ai, pat.aiva_l. plough
va_l., uvan.i, e_ti, kat.uttalai, tuvat.t.i, naviram, na_t.t.am, vacam, kuya, kul.ir knife
kur-umpit.i, curikai short knife
cu_ri short knife that could be bent at the handle
e_r-r-am, kapilai, ir-ai-ku_t.ai water-lift
ampi, it.a_r, ir-aivai, ka_ra_mpi, kir..a_r, pir..a_r, put.t.il, pu_t.t.ai water-lift
mat.ai sluice
korampu partial dam
8101.Seven continents: er..u-ti_vu the seven continents or divisions of earth which according to Pura_n.a_s are said to exist in the form of concentric circles with the mountain Me_ru as their centre, each being surrounded by one of seven ring-shaped seas, viz.: na_valanti_vu, ir-alitti_vu, ilavanti_vu, kiravucatti_vu, kucaitti_vu, te_kkanti_vu, put.karatti_vu, as islands; kantapu. varies the order thus: (1) na_valanti_vu: na_val jamoon-plum, eugenia jambolana (Tirukko_. 191); arnott's mountain black plum, eugenia arnottiana; na_valanti_vu (Man.i. 22,29); a shout of joy made while heaping grain on the threshing-floor (E_rer..u. 59); a shout of driving the oxen while treading sheaves on the threshing-floor (Nan-. 101, Urai); na_val-ku_r-u to shout na_valo_-na_val (Ya_p. Vi. Pak. 45); na_valnel a kind of paddy; na_valakalit.am = na_valanti_vu (Pu. Ve. 8,17) the central annual continent surrounded by the ocean of salt-water; (2) te_kkanti_vu: te_kku teak, tectona grandis (Akana_. 107)(Ta.); id. (Ma.); te_ku (Te.); te_gu (Ka.); te_kkam champak; areca-nut palm (Ta.); te_kkanti_vu an annular continent named after the tree called te_kku (Ta.); (3) kucaitti_vu: kucai, kucam < kus'a darbha grass (Pirapulin.. Ko_rakkar. 1); kucaikkiranti knot in a finger-ring made of darbha grass; kucaitti_vu the fourth annular continent believed to have sprung from Brahma's kus'a grass and to be surrounded by the ocean of ghee (Tiva_.), or ocean of curds (Kantapu.); kuce_cayam < kus'e_-s'aya lotus; kucam pertaining to the potter's class; (4) kiraucatti_vu: kiraucam < krauca Indian love bird, an-r-il [(cakrava_ka; annal a bird of stately walk (Ma.)(DEDR 331)]; distance measured by a single flight of a fowl; kiravuca-kiri the eastern part of the Hima_laya range, in Assam, as split by Skanda (Pu.Ve. 6,9, Urai); (5) ilavanti_vu: ilavam red-flowered silk-cotton treee, bombax malabaricum (Ta.Ma.); ilavu id. (Ta.); ilavanti_vu (Kantapu. An.t.ako_. 19); ilavantikai a big tank provided with machinery for filling as well as emptying (Man.i. 3,45); royal park encircling a large tank (Cilap. 10,31); ilavam clove < lavan:ga (Te_va_. 353,2); (6) ir-alitti_vu: ir-ali white fig; cassia; myrobalan; ir-al bivalve shell-fish, mussel; ir-al.i cassia (Ta.); re_la id. (Ka.); re_la-cet.t.u purging cassia, cassia (cathartocarpus) fistula (Te.inscr.); re_la_, re_rka_ cassia fistula (Go.)(DEDR 477); irul. ironwood of Ceylon, mesua ferrea; irumpukam ironwood (Ta.); irimpakam, irul. id. (Ma.); irul. id. (Ka.); ayiro_l. id. (Tu.)(DEDR 482); (7) put.karatti_vu: put.karam lotus flower; cyrus crane, grus antigone; a celebrated place of pilgrimage; put.karin.i lotus tank; sacred tank near a temple = put.karatti_vu (Civataru. Ko_pura. 69); pus.karam a festival of ceremonial bathing in the Godavari at Rajahmandry, occurring once in twelve years; a celebrated place of pilgrimage, now called Pokhar in Ajmer; pus.kara blue lotus (AV.); pukkhara lotus (Pkt.)(CDIAL 8298a)(Ta.lex.){The sub-continent spanning from Assam to the Indus river, skirting Sri Lanka, crossing the Palk straits or large rivers such as the Brahmaputra, Ganges, Jamuna, Godavari and the Indus.} The world of seven continents: In Agni Pura_n.a (108.1-3) the list of seven concentric island-continents, sapta-dvi_pa_ are listed as: (i) jambu (with Mt. Me_ru at the centre and surrounded by the lavan.a ocean of salt); i.e. na_valam (Ta.lex.); (ii) plaks.a (surrounding the ocean of salt and surrounded by the ocean of iks.u, sugarcane juice); i.e. ir-ali (Ta.lex.); (iii) s'a_lmali (surrounding the iks.u ocean and surrounded by the ocean of sura_, wine); i.e. ilavam (Ta.lex.); (iv) kus'a (surrounding the sura_ ocean and surrounded by the ocean of sarpis, clarified butter); i.e. kucai (Ta.lex.); (v) krauca (surrounding the sarpis ocean and surrounded by the ocean of dadhi, curds); i.e. kiravucam (Ta.lex.); (vi) s'a_ka (surrounding the dadhi ocean and surrounded by the ocean of dugdha, milk); i.e. te_kkam (Ta.lex.); (vii); pus.kara surrounding the dugdha ocean and surrounded by the ocean of jala, water; i.e. put.karam (Ta.lex.) The term, sapta-dvi_pa_ vasumati_ occurs in Patajali's Maha_bha_s.ya (c. 187-151 B.C.); loc. cit. Sircar, D.C., Studies in the Geography of Ancient and Medieval India, 1971, p.1]. Kantapu. varies the order thus: na_valanti_vu, te_kkanti_vu, kucaitti_vu, kiravucatti_vu, ilavanti_vu, ir-alitti_vu, put.karatti_vu (Ta.lex.) The seven principal mountains (sapta-kula_cala) of each division of a continent or vars.a are: mahe_ndra, malaya, sahya, s'uktimat, r.ks.a, vindhya and pa_riya_tra (Ka.lex.) The seven seas (sapta_bdhi) are that of salt-water (lavan.a), sugar-cane juice or syrup (iks.u), wine (sura_), clarified butter (ghr.ta), curds (dadhi), milk (dugdha), and fresh water (jala)(Ka.lex.) 8102.Nine continents: In an apparently later classification, nine continents are named: navakan.t.am: ki_r..pa_l-vite_kam, me_lpa_l-vite_kam, vat.apa_l-vite_kam, ten-pa_l-vite_kam, vat.apa_l-ire_patam, ten-pa_l-ire_patam, vat.apa_r--paratam, ten-pa_r--paratam, mattimakan.t.am; these terms use vite_kam [(name of a country north east of Magadha, capital Mithila_ or Janakapur in Ne_pa_l north of Madhuva_n.i_ (Skt.lex.)], ire_patam (?dravid.a or ?ila_vr.ta), paratam as classifiers with directional (east, west, south, north and centre) sub-categories. Nine divisions of the earth: nava-varut.am nine divisions of the earth according to ancient Indian geography: kuru-, iran.iya-, iramiya-, il.a_viruta-, ke_tuma_la-, pattira-, ari-, kimpurut.a-, pa_rata- (Ta.lex.)The regions have principal mountain; they are 7 or 8: (a) list of seven (Skt.lex.): mahe_ndra, malaya, sahya, s'uktima_n, r.ks.a, vindhya and pa_riya_tra, collectively termed: kulaparvata (kula_cala, kula_dri, kulaparvata, kulas'aila); (b) list of eight (Pin..): (i) imayam (hima_laya); (ii) mantaram Mt. Mandara (Tiv. Periyati. 11,4,5); Mt. Me_ru (Te_va_. 1232,5); (iii) kaila_cam (Mt. Kaila_s); (iv) vintiyam (vindhya_); (v) nit.atam < nis.adha a country in the N.E. of India (Nait.ata. Na_t.. 25); (vi) e_maku_t.am (e_mam < he_ma gold (Perun.. Vattava. 1,28); e_ma-man.al gold alluvium (Mu_. A.); e_maku_t.am name of a mountain to the north of the Hima_laya (Kantapu. As.t.ako_. 34); Mt. Me_ru (Ta.lex.); (vii) ni_lam ni_la-kiri mountain range north of il.avarut.avarus.am; the nilgris, north of Coimbatore district (Cilap. 26,85); (viii) kantama_tan-am < gandha-ma_dana a mountain believed to lie to the east of Me_ru (Cu_t.a_)(Ta.lex.); id., renowned for its fragrant forests (Skt.lex.) 8103.Division of the world; a continent: vars.am a division of the world, a continent; (nine such contients are enumerated: kuru, hiran.maya, ramyaka, ila_vr.ta, hari, ke_tuma_la_, bhadras'va, kim.nara and bha_rata; Mountains which divide the world: vars.a-girih., vars.a-parvatah. a Vars.a mountain, i.e. one of the mountain ranges supposed to separate the different divisions of the world from one another; (they are seven: himava_n, he_maku_t.a, nis.adha, me_ru, caitrah., karn.i_, s'r.n:gi_ (Skt.lex.) cf. virut.a_n:kam the region of the river Ta_miraparn.i (Na_mati_pa. 503)(Ta.lex.)[The phonetic concordance, varut.am ~~ virut.am re-inforces the concordance of semant. 'region': varut.am ~~ vars.a ; and semant. 'bull': virut.am ~~ vr.s.a > vars.a; cf. phonet. vr.s rain; vr.s.t.a rained (AV.); vars.a rain (RV.)(CDIAL 11392) virut.t.i rain (Kur-r-a_. Tala. Civapu_cai. 46)(Ta.lex.)]. s'r.n:ga-virut.am, s'rn:ga-varut.am the region along the Indus river spanning both kuru vars.a and hiran.maya vars.a; Image: unicorn: s'r.n:ga horn; virut.am bull calf. A sub-region and means of subsistence as sub-categories in defining locus, may be connoted by vr.tta; cf. il.a_virutavarut.am (Ta.); ila_vr.ta (Skt.lex.) 8104.Twelve Tamil regions: kot.untamir..na_t.u regions where kot.untamir.. (tamil dialect or lingua franca; Nan.. 273, Urai.) is spoken, 12 in number: (i) ten--pa_n.t.i; cf. ten--pa_li an ancient division of the Tamil land (ten--pa_limukattukku vat.avellaiya_kiya pah.rul.i : Cilap. 8,1,Urai.); ten--pa_r South India (Tamir..na_. 239); the Pa_n.d.ya country, as the sourhtern part of the earth (Tiruvil.ai. Ukkirapa_n.t.iyan-. 20); ten--pa_n.t.i-na_t.u the southern Pan.d.ya country identified with Na_ci-na_t.u (Nan-. 273, Urai.)(M.M. 888); ten--pa_n.t.i id. (ten--pa_n.t.i kut.t.an. kut.an:kar-ka_: Nan-. 273, Urai.); the Pa_nd.ya country as being in the south (Tiruva_ca. 19,2)(Ta.lex.) The significance of ten--pa_li as an ancient division linked with '-ire_vatam' which perh. relates to the lands indicated by the seventh region called aira_vata in the seven regions of Jambu_dvi_pa (cf. Kirfel, Die Kosmographie der Inder, p.215); the list adopted by Jain writers for the seven-fold division are: bharata, haimavata (for Kimpurus.a), hari, videha (for Me_ru or Ila_vr.ta), ramyaka, hairan.yavata (for Hiran.maya); and aira_vata (for Uttara-Kuru). This synonym for Uttara-Kuru is consistent with aira_vatam which, in mythology, is linked to the eastern region. According to Ma_rkan.d.eya Pura_n.a, chapter 54, the divisions are listed as follows: na_bhi (hima- or bha_rata-vars.a), kimpurus.a (hemaku_t.a or kimpurus.a-vars.a), harivars.a (hari- or nais.adha-vars.a), ila_vr.ta (Meru or Ila_vr.ta-vars.a), ramya (ni_la- or ramyaka-vars.a), kuru (s'r.n:gavad or uttara-kuru-vars.a), bhadra_s'va (bhadra_s'va- or ma_lyavad-vars.a) and ketuma_la (ketuma_la or gandhama_na-vars.a). loc.cit. Sircar, D.C. Studies in the Geography of Ancient and Medieval India, 1971, p.21); (ii) kut.t.am the region full of lakes, corresponding to the modern towns of Kottayam and Quilon in Travancore; kut.t.ana_t.u id. (Tiv. Tiruva_y. 8,9,1); kut.t.am tank, pond (Pur-ana_. 243,9)(Ta.lex.) (iii) kut.am western region; prob. a portion of modern Malabar; kut.ampulam western region, me_lna_t.u (Cir-upa_n.. 47); kut.ana_t.an- Che_ra king (Ta.lex.); (iv) kar-ka_ rocky portion of Coimbator district on the eastern side of the Western ghats (Tol. Col. 400, Ce_n-a_.)(Ta.lex.); (v) ve_n.a_t.u < ve_l. + the region comprising the major portion of modern Travancore; ve_n.a_t.t.ikal. ruler of Ve_n.a_t.u (T.A.S. ii,184); ve_l. one belonging to the ve_l.ir class (Pur-ana_. 24); Ca_l.ukya king; petty ruler; chief; title given by ancient Tamil kings to Ve_l.a_l.as (Tol. Po. 30; cempiyan- tamir..ve_l. en-n-um kulappeyarum : S.I.I. iii,221)(Ta.lex.) (vi) pu_r..i a region; cf. pu_r..iyan- Che_ra king (Tiva_.); Pa_n.d.ya king (Ce_kkir..a_r Pu. Pa_yi. 6)(Ta.); pu_r..iya_n- S'iva as wearing sacred ashes (Tamir..na_. 78); pu_r..il eaglewood (Patir-r-up. 87,2); earth; pu_r..ai mountain pass; crevine, opening (Na_lat.i. 282); pu_r..i (perh. bhu_ti) powder (Kalla_. 25,28); dust (Cir-upa_n.. 134); sacred ashes (Kantapu. Yut. Varavu. 13); soft mire or mud (Ta.lex.); (vii) pan-r-i the region around the Palani hills (Tol. Col. 394, Il.am.)(Ta.lex.); (viii) aruva_ poss. a large portion of South Arcot district (Tol. Col. 400, Urai.)(Ta.lex.); (ix) aruva_-vat.atalai poss. the Chingleput district (Ta.lex.); (x) ci_tani cf. ci_ta_ri town, city (J.)(Ta.lex.); (xi) mala_t.u < malaiyama_n-a_t.u the region around Tirukko_yilu_r; Occupation of war: malai occupation of war (Malaipat.u. 331); Image: hill: malai hill, mountain (Kur-al., 124); malaiyama_n- Ce_ra king, as lord of the hill country (Tiva_.); a sub-division of the Ut.aiya_r caste (E.T. vi,206); malaiyan- chief of a hilly tract; Image: four-horned antelope: malaiy-a_t.u four-horned antelope, tetraciros quadricornis (Ta.lex.); (xii) pun-an-a_t.u; Ce_n-a_varaiyar: pon:kar-na_t.u and ol.i-na_t.u instead of ve_n.a_t.u and pun-an-a_t.u (Nan-.273, Urai.; Tol.Col.400, Ce_n-a_.)(Ta.lex.) 8105.Mythological places: Eight places are celebrated as the scenes of S'iva's exploits (at.t.av-vi_rat.t.am): 1. atikai (S. Arcot district, tiri-puram); 2. var..uvu_r; 3. par-iyalu_r; 4. ko_valu_r (Tirukko_yilu_r in S. Arcot district (Pur-ana_. 99)(Ta.); ko_val (Tiv. Iyar-. 1,86); ko_valar men of the sylvan tract, herdsmen); 5. kur-ukkai 6. vir-kut.i (cf. vir-ko_t.i Dhanus.ko_t.i (Ce_tupu. Kanta. 79)(Ta.); 7. kan.t.iyu_r (cf. Conde (Si.) an ancient capital of Sri Lanka; Tanjore district; also noted for its Vis.n.u shrine (Tiv. Tirukkur-un. 19); 8. kat.avu_r (Ta.lex.) 8106.Seven clouds: The seven celestial clouds under the control of Indra, catta-me_kam < saptan + are (Ta_yu. Paripu_. 9): (i) camvarttam; (ii) a_varttam; (iii) put.kala_varttam; cf. put.kalam continent (iv) can:ka_rittam; cf. can:ka_ri (prob. sam.-ha_ri_) horse-tail millet (Ta.lex.) (v) turo_n.am teak; turo_n.i-talam < dro_n.i_-dala fragrant screwpine; cf. synonym: te_kkam continent (Ta.lex.); (vi) ka_l.amuki; (vii) ni_lavarun.am (Ta.lex.) Land of Punt: "In year 8 of Sankhkare Mentuhotpe (2009-1998 BC) -- the year of Henkanakhte's trip south -- an expedition of 3000 men, recruited from... Upper Egypt and led by the Chief Steward Henenu, left the Nile valley near Koptos and headed east across the desert toward the Red Sea, 90 miles away. Their orders were to re-establish commerce by sea with the fabulously rich land of Punt on the Somali coast, unvisited by Egyptians since the days of the Sixth Dynasty... During the Fifth Dynasty (of Sahure c. 2501-2515 BC), expeditions went to Byblos for cedar wood. The Palermo stone mentions of produce brought from 'turquoise land' in Sinai and from Punt on the Somali coast... voyages to Byblos and Punt seem to be regular in the Sixth Dynasty (2345-2181 BC)... with references to building ships for an expedition to Punt... in the Twelfth Dynasty (1991-1786 BC), ships sailed southwards from Red Sea ports to the incense-land of Punt..." (E.S.Edwards et al (eds.), The Cambridge Ancient History, Vol. I, Pt.2, 1971, Cambridge, University Press, p.491; p.183; p.194; p.495). 8107.Nine grains: nava-dha_nya the nine grains: go_dive, bhatta, uddu, hesar..u, kad.ale, togari, hural.i, avare and el.l.u (Ka.)(Ka.lex.) ko_tumai, nel, tuvarai, payar-u, kat.alai, avarai, el., ur..untu, kol. (W.)(Ta.)(Ta.lex.) 8108.Harappan wood: Products imported from Meluhha into Mesopotomia included: timber, mesu-wood, gisa.ab.ba = kus'abku = sea wood (common mangrove used for certain parts of boats and for house posts; or tectona grandis, teak used for ships and furniture) mes'.s'agan wood, gis.esi = us'u_ wood (ebony), gis.mes = sulum meluhhi = black wood (ebony of south India, Konkan to Madras, diospyros; according to Periplus, Barygaza exported ebony to Ommana). Diospyros ebenum: ebony (Eng.); tendu (H.M.); acha (Ta.)... Diospyros melanoxylon: tumvuru, kenduka (Skt.); tumbi (Ta.)... a species found on the Coromandal coast... (Indian Materia Medica, p. 452). Meluhha is perhaps favourably identified as western India... Among some timbers identified at Harappan sites are: acacia (used for buildings, carts, agricultural tools, furniture, ship parts), saccharum arundinaceum a reed [cf. na_n.al saccharum arundinaceum (Ta.)(DEDR 2909). 'The oldest record of use of wood, in the Indian region, is from Harappa proper and from sites of Harappan culture in Gujarat. In the former two woods were found to have been used from a coffin, namely deodar (cedrus deodara) and rosewood (dalbergia latifolia). Both are well known for the scent they give off. Other wood remains found here and examined by Chowdhury and Ghosh were used for a wooden mortar (zizyphus mauritiana; jujuba) for pounding grains. Choice of these woods for specific purposes shows not only knowledge of where the trees grow but also of the characteristic qualities of the woods used. Here is a strong evidence to show that Harappan culture was based on years of experience on the use of this botanical product. The charred timbers recovered from Lothal in Gujarat and studied by Rao and Lal were acacia sp., albizzia sp., tectona grandis, adina cordifolia, soymida febrifuga. This is a clear indication that the Harappans knew of the quality of these timbers nearly as much as we know of them today... Kadamba (anthocephalus cadamba) was closely connected with the life of S'ri_kr.s.n.a, and its abundance in the past near Mathura_ and Brinda_ban is perhaps an evidence of more humid climate prevailing in this area in those days... tulasi (ocimum sanctum) had the pride of place and is still grown in many Hindu homes. Lotus (nelumbo nucifera) is referred to in the Pura_n.as... In the days of Mohenjo-daro, lotus blossoms were wreathed over the head of the Sun-god. madhu_ka madhuca indica (Car. Su. 4.32,41,44). Sidhu was prepared from the flowers of mahua_ (madhuca indica; madhu_ka bassia latifolia the mahua_ with the flowers of which wine is scented) a tree, kharjura from juice of date-palm (phoenix sylvestris) and sura_ from cereals. Cannabis fibre (cannabis sativa) was known and bha_n:g prepared from its leaves was often used as an intoxicant... Ka_lida_sa refers to plants featured in personal adornment and beautification at the home, e.g. ta_mbu_la or pa_n (piper betle), supa_ri (areca catechu), cardamom (elettaria cardamomum), campaka (michelia champaca), sandal paste (santalum album) etc. The Br.hatsam.hita_ contains references to various types of toothpicks, hair-oils, perfumes and recipes for dyeing the hair... China and the Far East used to import at least a part of the sandalwood (santalum album) from India even up to the eighth or ninth century A.D... pepper (piper nigrum) from India was well known to the Greeks...' (D.N.Bose, S.N.Sen and B.V. Subbarayappa (eds.), A Concise History of Science inIndia, Indian National Science Academy, New Delhi, 1971, p. 374). 8109.Five trees; five barks: vilvam bilva tree (Ta.lex.) paca-vilvam the five trees, viz., vilvam, nocci (vitex negundo, nirgun.d.i_) (Ta.); ma_vilan:kai, mut.kil.uvai, vil.a_ (feronia elephantum)(Ta.); (vilvanocci ma_vilan:kai mut.kil.uvai vel.l.il pacavilvamen-pa_r: Civara_t. Pu. Civama_n-. 37); pacavar-kalam bark ofthe five trees atti, aracu, a_l, pu_varacu, ve_l (Malai.); pacavar-kam id. (Pata_rtta. 510)(Ta.lex.) pacapattra having five feathers (R.); a species of bulbous plant (Skt.); psati_ya_ the shrub vitex negundo (A.)(CDIAL 7667). cf. va_vili vitex negundo (Ka.Te.)(DEDR 5371). 8110.Orris (Iris): Iris germanica: padma-pus.kara (Skt.); keore-ka-mul (Indian bazaars); grows in Kashmir and Persia. Root is alterative, aperient, diuretic and cathartic. Contains an essential oil. Used in gall-bladder diseases. Hakims use the root as aperient and diuretic and in liver complaints (Indian Materia Medica, p. 695). Synonyms: orris root; veilchenwurzel (Ger.); iris de florence (Fr.); botanical origin: iris florentina, iris germanica, iris pallida; part used: the peeled and dried rhizome; habitat: Mediterranean region; uses: in dentifrices, toilet powders and sachets, and as a constituent of Breast Tea. The volatile oil is used in perfumery. (Heber W. Youngken, Textbook of Pharmacognosy, Philadelphia, The Blakiston Co., 1950, pp. 218-220). 8111.Myrobalans: "The following trees yield the myrobalans of commerce: (1) terminalia bellerica, the 'belleric myrobalan', the Sanskrit tusha and baheruka, and Arabic heleyluj found throughout India and Burmah; (2) terminalia chebula the 'chebulic (i.e. Cabul) myrobalan', the Sanskrit haritaka, the Hindustani hurda, the Mahratti hulda, the Pesian helilah, and Arabic helilah-cabuli, found all along the slopes of the Himalayas, and in Central India, of the fruit of which seven varietis are recognised, including helilah-asfar or 'yellow-helilah' or 'nigger' black helilah etc.; (3 and4) terminalia citrina, 'citrine myrobalans' and 'Indian myrobalans' -- its unripe fruit; and (5) phyllanthus emblica, the 'embelic myrobalan', a spurgewort, the Sanskrit amalaka, the Hindustani amlika, and Mahratti aonla. The myrobalans, or 'glan-aegyptia' of the older pharmacists, was the seed of the leguminoid moringa pterygosperma, the ben-nut of the Arabs." (Note in G. De Orta, p.320). Emblic myrobalan: usirika emblic myrobalan (Te.); usurka_ gooseberry (Kol.); usirka a tree (Go.); usrika maran, su_rika mra_nu, su_rika maran aonla tree, emblic myrobalan (Kond.a); hu_rka mar id. (Pe.); ju_rka id. (Mand..); jura id. (Kui); jur'o id. (Kuwi)(DEDR 574). cf. ta_n-r-i, ta_n.i belleric myrobalan, terminalia bellerica (Ta.)(DEDR 3198). Terminalia belerica: bahira (Skt.); bahera (H.P.B.); behara (M.); akkam (Ta.); tandra (Te.); tusham (Ma.); tandi (Ta.Ka.Te.); hulluch (A.); fruit: bitter, astringent, tonic, used in piles, dropsy, leprosy; kernel: narcotic; fruits contain about 17% tannin substances; habitat: throughout the forests of India, below elevation of about 3,000 ft., except in the dry and arid region of Sind and Rajputana (GIMP, p.241). bibhi_taka terminalia belerica (Car. Su. 4.25,39). 8112.Ivory: At Barbar temple II (Mesopotamia) two small pieces of ivory were found, sawn off from larger ones, and part of a flat object was also found decorated with dot-and-circle motifs. It is unclear if the ivory came from Syria or Egypt or from India. Ivory tusks had been found at Mohenjo-daro, Chanhu-daro, Lothal and Surkotada; ivory was used for objects such as containers, combs, kohl-sticks, pins, awls, hooks, toggles, gamesmen, batons, rods, scales, plaques, dice, inlay, furniture fittings and personal ornametns... ivory exports by Barygaza in the 1st century AD are attested in the Periplus... (Shereen Ratnagar, Encounters, the Westerly trade of the Harappa Civilization, Delhi, OUP, 1981, pp. 113-115). palla elephant (Ka.); pal tooth (Ta.)(DEDR 3986). 8113.Furniture: The trees used for s'ayana_sana or s'ayya_sana (or sena_sana (Pali)[s'ayana lying; a_sana sitting; s'ayana or s'ayya bed and bedstead; khat.va_ cot; paryan:ka couch or high seat; a_sana a seat; bhadra_sana or bhadrapi_t.ha throne; pi_t.ha a seat or stool; upadha_na pillow; s'ayana_ccha_dana or s'ayana_staran.a bed-sheet] bedstead and seats were: asana (pentaptera tomentosa)[cf. asana pterocarpus marsupium (Car.)], spandana or syandana (dalbergia onegeinensis, bignonia indica, ougeinia dalbergiodes used in making images; synonym: atimuktaka, aganosma caryophyllum), candana (pterocarpus santalinus), haridra [mesua ferrea, na_kakes'ara (Car. Ci. 28.154)], surada_ru (pinus deodaru), tinduki_ (diosperos glutinosa), s'a_la (shorea robusta), ka_s'mari_, ajana (micheelea champaka), padmaka [a Nepalese timber tree yielding a red wood; padmaka prunus cerasoides (Car. Su. 4.8,47)], s'a_ka (teak, tectona grandis), and s'im.s'apa_ (dalergia sisu). Other trees used were: s'ri_parn.a, kadamba, amba (ambataru was a timber tree recommended for furniture). Ivory was used to decorate the furniture made of these trees. Seat, paryan:ka of sandal was for royal use covered with gold and decked with variegated jewels, width ranged from 21 to 37 an:gulas. Throne, bhadra_sana or bhadrapi_t.ha placed over the skins of certain animals, was a royal seat made of gold, silver, copper of a milky tree, 1, 1 1/4, and 1 12 cubits high respectively, for ma_n.d.alika (feudatory chief), anantarajit (conqueror of adjoining principalities) and samatara_jya_rthin (one aspiring to be a universal monarch). 8114.Mordants; dyes: "The materials used as mordants are many. Alum, lime-water, milk of lime, ironrust and vinegar, alum and vinegar, nutgalls, solution of the roasted phrygian stone, misy, copper and iron vitriols, blood-stone (haematite) and vinegar, the juice of unripe grapes, and juice of pomegranates are among the common mordanting substances. The dyestuffs are numerous. For so-called purples were used alkanna (from anchusa tinctoria), safflower, komari (comarum palustre), orseille, woad, madder, kermes (a coccus from quercus coccifera of Souther Europe), hyacingh, mulberry juice, pomegranate blossoms, the root of the henbane [hyoscyamus koheebhang hyoscyamus muticus used as intoxicant (Baluchi); habitat: W. Punjab, Waziristan, Sind and Baluchistan (GIMP, p.138)], 'krimnos' much used but not at present identified... A yellow color was produced by crushing together safflower blossoms and oxeye (buphthalmum), soaking in water, immersing the wool and drying... To what extent these chemical arts originated in Egypt or to what extent they were dependent upon Asia Minor, Persia or perhaps India, it is difficult to determine... It is quite certain that both in China and in India the chemistry of the metals and alloys, methods of dyeing and the use of certain chemicals in medicine were practised in ancient perids, but their chronology is difficult to determine with certainty." (John Maxson Stillman, The Story of Alchemy and Early Chemistry, New York, Dover Publications, Inc., 1924, p. 95). 8115.Plants in alchemy: Rasa_rn.ava (5, 1-25) and Rasapraka_s'a-sudha_kara of Yas'odhara (9, 1-39) refere to a number of plants used in alchemical and iatro-chemical operations to purify, fix mercury and other minerals and in transmutation of metals. Some of these are: agasti, amlavetasa, an:kola, apa_ma_rga, a_suri_, bhr.n:gara_ja, br.hati_, citraka, dhattu_ra, eran.d.a (ruvaka), haridra_, kadali_, kuma_ri_ (ghr.takuma_ri_), kulattha, musali_, nimba, s'igru, pala_s'a, vis.n.ukra_nta_. 8116.Painting media, varnishes, and inks: Acacia: Synonyms: gum arabic, gum senegal, gum acacia, galam gum, Egyptian thorn; gummic arabique vraie (Fr.); arabisches gummi (Ger.); gum arabic has been reported by Herodotus (5th century BC) as being used by the ancient Egyptians as an adhesive. Its use in medicne is mentioned on several of the Egyptian papyri. Hippocrates refers to it in medical works published between 450-350 BC. It was carried from the Gulf of Aden to Egypt in the 17th century BC. Botanical origin: acacia senegal or verek or some other African species of acacia. Part used: the dried gummy exudation from the stems and branches; habitat: Africa... it is called verek by the natives of Senegambia and hashab by those of Kordofan. Its leaves are bipinnate. Its inflorescence is a spike of yellow regular flowers. Its fruit is a broad legume containing 5 or 6 seeds; Production and commerce: Most of the official gum, representing the variety known as kordofan gum is yielded by cultivated trees of acacia senegal which form forests known as geneinas that are owned by Arab sheiks. Only a very small amount is collected from wild untapped trees. These trees are usually tapped from February to May when the fruits called arad are ripe... the natives pick the tears and place them in leather bags which, when full, are emptied on a heap. The gum is subsequently bleached by the sun's rays and garbled by native girls, who remove pieces of bark and sieve out the sand. In the cleaned state the Kordofan gum is packed into sacks, carried on the backs of camels to Khartoum, El Obeid and Omduram and consigned by rail to Port Sudan and Cairo from whence it enters the world's commerce... Allied drug: Gummi indicum, also called ghatti gum or Indian gum is an exudation from the stems of anogeissus latifolia, a tree indigenous to India and Ceylon. Uses: in the textile, confectionery, mucilage, paste and polish industries. (Heber W. Youngken, Textbook of Pharmacognosy, Philadelphia, The Blakiston Co., 1950, pp. 451-456). "Casein, prepared from curd of milk, forms a strong glue, and was used for centuries in Egyptian woodwork. Hebrew texts also speak of the use of curd for house-painting and decoration. Gum arabic (from the bark of acacia arabica) was imported in Egypt from Punt and southern Arabia, and was also known in Mesopotamia. Starch prepared from grain was used in Egypt. Gelatine and gum tragacanth (from the bark of astragalus spp) were available. Lac, the resin prepared in India from the lac insect, is not mentioned in ancient times... The gum arabic from the Red Sea coasts was satisfactory for varnishing wood, and for making gummed layers of linen for mummy cases. The gum prepared from acacia nilotica was used in making papyrus... From about 1500 BC, the Egyptians used a natural black varnish that forms a black lustrous surface. It may be related to, or identical with, the black dammar resin produced from canarium strictum in western and southern India." (Charles Singer, E.J. Holmyard, A.R.Hall, Trevor I. Williams, A History of Technology, Oxford, Clarendon Press, 1967, pp.243-244). Acacia farnesiana = mimosa farnesiana... the flowers are yellow and fragrant... Brown reports that a gum which resembles gum arabic exudes from the bark of the plant. The flowers are known commercially as cassie flowers. This tree is grown extensively in France for the fragrant perfume obtained from the flowers. The odor of this perfume resembles that of violets, but is more intense. Cassie perfume is used in preparing the best handkerchief bouquets and hair pomades.. The oil itself is never sold commercially, but is mixed with other substances and sold as perfumes, fixed oils, pomades, or extract of cassie. Safford reports that in some parts of India, the bark and the pods are used as a dye-stuff and for tanning... According to Nadkarni, in India a decoction of the bark (1 in 20) together with ginger is an astringent wash for the teeth... (Medicinal Plants of the Philippines, pp. 362-364). {Acacia nilotica: (Ancient Egyptian sndt; Coptic: tree wonte; juice akakia; Modern Egyptian Arabic: tree sant.; pod juice a_qa_qi_ya). The acacia (cf. wall painting in Theban Tomb no. 19, Ramesside, 1320-1085 BC) is a tall tree with dark stems and branches and bright yellow flowers. The pods with their characteristic indentations are upto 15 cm. long and contain 30 % tannin... Theophrastus mentions that the Egyptians used acacia for tanning. Pliny adds that the best gum was that of the Egyptian acacia. In pharaonic times the wood was used for timber, the bark for tanning and the leaves, flowers and pods found multiple use in medicine... The Copts used acacia as part of preparation for the eyes... Acacia flowers mixed with eggwhite were used as a mask for people suffering from the skin disease called psora.(Lise Manniche, An Ancient Egyptian Herbal, pp.65-67)}. 8117.Spices, herbs and flavourings: '... merchandise moved over coastal sea routs in both directions between Arabia and southern Cathay (China) in very early times. Cinnamon, cassia, cardamom, ginger, and turmeric were known and employed by Eastern peoples thousands of years ago... Cinnamon and cassia found their way to the Middle East at least 2,000 years before the Christian Era. There are many references to spices in the Bible, including four to cinnamon and three to cassia... Part of the immense yearly income of King Solomon came from the "traffic of the spice merchants" (1 Kings 10:15). From time immemorial, southern Arabia (Arabia Felix of antiquity) had been a trading centre for frankincense, myrrh , and other fragrant resins and gums... (Arabs) artfully withheld the true source of their spices... Strabo (c. 64 BC - AD 20) in his Geography speaks of the extensive trade in spices carried on by the Arabians, of the wealth of the Arabian spice merchants, and observes that even a camell drive "might attain to some sort of wealth" by trading in spices... it was mainly by sea that the spice trade grew. By rudimentary navigational skill, and aided by the winds called monsoons, Arabians were making direct sailings before the Christian Era... Ceylon was a central trading point... With the advent of the Ptolemies, Egyptian trade with India began and was developed by the Romans who succeeded them... (Strabo) says that on a visit to Syene he found that about 120 ships sailed regularly from the Red Sea port of Myros-Hormos to India... (in 80 BC) Alexandria became the greatest commercial centre of the world and the emporium for the aromatic and pungent spices of India hat found their way to the markets of Greece and the Roman empire ... The most notable uses of spices and herbs in very early times were in medicine, in the making of holy oils and unguents, and as aphrodisiacs. Priests employed them in worship, incantations, magical rites and rituals ... Seasame seems to have been known and employed as food, for making wine, and for its oil from time immemorial. Garlic and onions were employed as part of the diet in very early times... (In 1982, India and/ Ceylon were important export sources of: celery seed, chili peppers, cinnamon, casia, coriander seed, cuminseed, dillseed, fennel seed, fenugreek seed, garlic, ginger, mace, nutmeg, pepper, sesame seed, turmeric.)' (Encyclopaedia Britannica, 22nd edn., Vol. 17, pp. 502-508.) Ancient Near East: natural perfumes and flavours, eye-paint; incense: Perfume or flavour, source; parts used: bitter almond seeds, prunus amygdalus; calamus, acorus calamus, rhizomes; cassia, cassia tora, flowers and bark; cedar, cedrus libanotica, wood; cedar, abies cilicica, wood; cinnamon, laurus cinnamomum, bark; citron, citrus medica, fruit; ginger, zingiber officinale, rhizome; heliotrope, heliotropaeum europaeum, flowers; mimosa, acacia nilotica, flowers; peppermint, mentha piperita, flowers and leaves; rose, rose sancta, flowers; rosemary, rosmarinus officinalis, flowers and leaves; rushes, cyperus rotundus, flowers; rushes, cyperus esculentus, flowers; sandalwood, santalum album, wood; gingergrass, cymbopogon schoenanthus, roots... The Old Testament mentions both male and female ointment-compounders. They had formed a guild of apothecaries by the time of Nehemiah, and lived in a special alley in Jerusalem... Mineral ingredients for eye-paint... galena (lead sulphide)... Until the later stage sof Egyptian history the custom persisted of painting the upper eyelid black with galena, and the lower one green with malachite (basic copper carbonate)... Malachite... has been found in graves dating from the remote prehistoric period (fifth millennium BC) to Dynasty XIX (c 1300 BC). The earliest finds of galena are slightly more recent (Badarin, early fourth millennium BC)... Both ingredients were obtainable locally, though we sometimes read of imports from 'the Asiatics', or again from Punt... The Mesopotamian name for eye-paint, guhlu, usually translated as stibium powder, appears from both archaeological finds and records of the original mines to have denoted either stibnite (antimony trisulphide) or galena. The word guhlu passed into Arabic as kuhl, and later gradually changed its meaning from a definite black eye-paint into a finely divided powder, then to a subtle spirit, and finally (in the hands of Paracelsus) gave birth to our word alcohol, an extraordinary evolution of meaning... Later... burnt almond-shells, soot, or manganese dioxide came to b used instead of galena and malachite... the paste was applied to the eye-lid with the finger or the end of the kohl (kuhl)-stick -- a bone, wooden or ivory rod often found in tombs... In Egypt, lips and cheeks were coloured with red ochre. A red pigment often applied to palms, soles, nails and hair was derived from henna, obtained from the root and leaves of lawsonia ineremis. The inhabitants of Mesopotamia used red ochre, asafoetida, and henna, but the Sumerians seem to have preferred yellow ochre for colouring the cheeks. It is referred to as gold clay or face-bloom... Incense. Gum-resins and oleo-resins were used not only as vehicles for perfumes, but for incense. In Egypt, the use of incense goes back to the Pyramid age, from which incense-burners have been recovered... In some cases, imported incense was called by a name derived from a foreign original, such as kedret, corresponding to the Hebrew ketoreth, the usual word for incense and perfume in the Old Testament. In the case of certain semi-liquid gums or oleo-resins the fragrant liquid components seem to have been obtained by expression, as with myrrh, the liquid part of which, the stakte of the Greeks, was added to cosmetics... the reliefs show disks and cakes of incense... On the walls of the temple of Deir el-Bahri there are reliefs showing the Egyptians bringing incense trees from Punt so as to grow them in their own country and thus become independent of the long and dangerous expeditions down the Red Sea. This experiment seems to have failed. They also traded for such products with the coastal range of the Lebanon, Asia Minor in general, Palestine, Syria, and Nubia. Incense was imported in the form of heaps of small grains, such as the dry myrrh of the texts, or as semi-liquid plastic resins, e.g. 'the fragrant liquid myrrh'. (Charles Singer, E.J. Holmyard, A.R.Hall, Trevor I. Williams, A History of Technology, Oxford, Clarendon Press,1967, p.288; pp.292-295). For concordance of kedret, cf. kautika a fragrant gum, bdellium, a synonym of guggulu (Skt.) Galbanum; balsamum: Metopion is an Egyptian ointment. According to Dioscorides, the Egyptian name of the plant from which galbanum was derived was metopion. It consisted of oil from bitter almonds and unripe olives scented with cardamom, sweet rush, sweet flag, honey, wine, myrrh, seed of balsamum, galbanum and turpentine resin. Dragon's blood: Sanguis draconis is a resin prepared from the scale covering the surface of the ripe fruits of doemonorops draco and other species of doemonorops, climbing palms, native to the East Indies. It occurs as dark red cylindrical sticks up to 3 cm. in diameter and 30 cm. in length which are covered with leaves of a licuala palm, bound with strips of cane (reed dragon's blood), or in small, dark red, oval, homogeneous masses, covered with palm leaves and connected in a row (tear dragon's blood) or, as flattened or rounded masses (lump- or saucer-dragon's blood)... the red resin is used in mahogany varnish stains, for colouring marble red, in incenses, and in preparing gold lacquers. (Heber W. Youngken, Textbook of Pharmacognosy, Philadelphia, The Blakiston Co., 1950, pp. 175-176). 8118.Sandal: vet.t.am. and sukvad.i = two varieties of s'vetacandana or white sandalwood from Malayaja (identified with the southern portion of the Western Ghats)(Ra_janighan.t.u of Narahari (c. AD 1450); loc. cit. P.K. Gode, op cit., p. 321). tagara-candanam = pa_n.d.hra_ candana or white sandal (Skt.); yaks.akardama a cosmetic prepared by mixing up karpu_ra, aguru, kakkola, kastu_ri_ and candana (Hemacandra (AD 1088-1172), Abhidha_nacinta_man.i, III, martyaka_n.d.a, Verse 302; the comm. replaces kakkola with kum.kuma for the same cosmetic). Cilappatika_ram (c. 2nd or c. 5th century AD) Book I (Song of benediction): 'Lovely maidens bringing spices and flowers spoke and sang and looked bewitching. Women with full breasts and lovely treesses took with them sandal-paste (cantan-am), frankincense, perfumes and powders,'to distribute these at the marriage of Ko_valan- and Kan.n.aki. 8119.Types of plaster: "... Ch. 56 of the Br.hatsam.hita_ describes four kinds of plaster -- two vajralepas, vajratala, and vajrasan:gha_ta. Vajralepa was composed of the precipitate of unripe tinduka and kapitthaka fruits, blossoms of the silk-cotton tree, seeds of s'allaki, skin of dhanvana and vaca_ boiled in a dron.a of water and reduced to 1/8th of its original volume and finally mixed with s'ri_va_saka (resin of a tree), rasa, guggulu, bhalla_taka, kunduruka (resin of devada_ru), resin of sarja, linseed and bilva fruit (LVI. 1-3). Another plaster of the same name was prepared in the above manner from lac, resin of devada_ru, guggulu, gr.hadhu_ma (Utpala: ga_radhu_mah- s'ya_m eti prasiddhah-), kernel of the kapittha and bilva fruits, fruits of na_ga, nimba, tinduka and madana, resin of sarja and myrobalan fruit (LVI. 506). A paste called vajratala was prepared in the above manner from the horns of cows, buffaloes and goats, hair of donkeys, skins of buffaloes and cows, nimba and kapittha fruits and rasa (LVI. 7). A plaster compound of eight parts of lead, two of bell-metal, and one of iron-rust was known as vajrasan:gha_ta (a paste attributed to Ma_ya). These pastes were applied hot to temples, mansions, windows, lin:gas, images, walls and wells and are said to adhere for 'a crore of years)(LVI. 4)." (Ajaya Mitra Shastri, India as seen in the Br.hatsam.hita, Delhi, Motilal Banarsidass, 1969, pp. 391-392). 8120.Olibanum or frankincense Olibanum (frankincense) is an oleo-gum-resin obtained by incision from the bark of boswellia carterii and other species of boswellia (Fam. burseraceae), small trees indigenous to north-eastern Africa and Arabia. The drug occurs in more or less ovoid tears, 5-25 mm long, which are sometimes stuck together. The surface is dusty and of a yellowish, bluish or greenish tint. Fracture, brittle; inner surface, waxy and semi-translucent. Odour, characteris-tic, especially when burned; taste, slightly bitter. The drug contains 3-8 per cent of volatile oil consisting of numerous terpenes and sesquiterpenes, about 60-70 percent of resin and 27-35 percent of gum. It is used in incense and fumigating preparations. (G.E. Trease and W.C. Evans, Pharmacognosy, 12th edn., London, Bailliere Tindall, 1983, p. 469). Myrrh contains 7-17 percent of volatile oil, 25-40 percent of resin, 57-61 per cent of gum and some 3-4 per cent of impurities. (G.E. Trease and W.C. Evans, Pharmacognosy, 12th edn., London, Bailliere Tindall, 1983, p. 469). "It is generally agreed, that the Gum-resin, called Olibanum, is the Frankincense which was used by the Ancients in their religious ceremonies. But there is not the same agreement as to the plant supposed to produce it. Linnaeus has referred it to a species of Juniper: and accordingly botanists of his school, and the Chemical writers, concur in affirming, that Olibanum is the produce of the Lycian Juniper. But this tree is a native of the south of France, as well as the Levant and Siberia: and the French Botanists deny, that it yields the resinum Gum in question; and remark, that Linnaeus made the assertion without proof. Their remark is, I believe, well founded. No proof appears to have been alleged; and both Niebuhr and Bruce considered it as an undecided question, which they endeavoured, though unsuccessfully, to investigate. (Niebuhr says, 'We cou'd learn nothing from the tree, from which incense distils; and Mr. Forskal does not mention it. I know, that it is to be found in a part of Hadramaut, where it is called Oliban.')... A great degree of obscurity has always hung over this subject. We learn from Theophrastus (Hist. Plant. 9.2) and from Pliny (12.14), that the Greek writers differed in their description of the tree; Pliny adds, that the information contained in the volume addressed by King Juba to C. Caesar, grandson and adopted son of Augustus, was inconsistent with other accounts; and further remarks, that the Ambassadors, who came to Rome from Arabia in his own time, had rendered the whole matter more uncertain than ever... Olibanum is named Luba_n and Cundur by the Arabs. But, Benzoin having been introduced into general use, as incense, in place of Olibanum, the name Luba_n has been appropriated to that fragrant balsam, and the Muhammedan writers of India, on Materia Medica, apply only the term Cundur to Olibanum. The author of the Mekhzenuladviyeh, under this head, states Cundur as Arabick, or according to other opinions Persian, and equivalent to the Syriack Labu_niya_. He describes the drug as the gum of a thorny plant, a yard high, with leaves and seed resembling the myrtle. It grows, he says, on the mountains of Shahar and Yemen. He, however, adds, that the plant is said to be found in some parts of India. The Tohfut ul muminin gives a similar description (excepting the remark last quoted;) and so does the Arabian author Abulfadli cited by the French translator Pliny (Poinsinet, Paris, 1771, tom. 4. p. 532). From the Hebrew lebonah or Arabick luba_n, the Greeks obtained their names for the tree and the gum, libanos and libanotos. They seem likewise to have been acquainted with the term Cundur, from which xondpG is probably derived. The Hindu writers on Materia Medica notice a fragrant resinous gum, under the name of Cunduru, which their grammarians consider as a Sanscrit word, and accordingly state an etymology of it from a Sanscrit root. They concur in declaring it to be the produce of the Sallaci_, a tree which they affirm to be vulgarly called Sa_lai. The tree, which is known by that name, was examined by Dr. Hunter on his journey to Ujjayini; and by me on a journey to Nagpur: and it has been figured and described by Dr. Roxburgh, who has named it Boswellia Serrata. His description follows: Boswellia serrata, Roxb. Gen. Char.: calyx beneath, 5-toothed. Corol 5 petaled. Nectary a crenulated, fleshy cup, surrounding the lower part of the germ, with stamens inserted on its outside. Capsule 3-sided, 3-celled, 3-valved. Seeds solidary, membrane-winged; Spec. char.: leaves pinnate; leaflets serrate, downy. Racemes simple, axillary. Petals ovate. Filaments inserted on the exterior margin of the nectary. A large tree, a native of the mountains of India. A most fragrant resin is collected from wounds made in the bark etc. Leaves crowded about the extremities of the branchlets, pinnate with a single terminal one. Leaflets sessile, sometimes opposite, sometimes alternate, in general about 10 pair, obliquely-ovate, oblong, obtuse, serrate, villous; length about an inch, or an inch and a half... Flowers numerous, very pale pink, small... The tree is frequent in the forest between the Sone and Nagpur; on the route by which I travelled to Berar in 1798. The gum, which exudes from it, was noticed by Mr. D. Turnbull, who was then Surgeon to the residency at Nagpur. He judged it to be Olibanum; and so did several intelligent natives who accompanied us... It was in England recognised for Olibanum, though offered for sale as a different gum; and annual consignments of it have been since regularly sold at the East India Company's sales. The experience of several years at a market such as that of London, where a mistake (had any been committed) would have been soon discovered, seems to be conclusive... I shall venture to propose the following statement of synonyms both for the tree and the gum: Boswellia serrata (trivial names of the species might be libanus thurifera); Sansc. sallaci_ or sillaci_, Cunduruci_ (producing conduru) or Cunduri_, Surabhi_ (fragrant), suvaha_; Hindi: sa_lai, sa_le_, sa_la_, or sila_, saji_wan; Greek: libanos; Latin: libanus; the gum: Sansc. cunduru, cunda, mucunda; Arabic and Persian: cundur (anciently luba_n); Syr. labuniya; Heb. lebonah; Greek: libanotos or libanos; Latin: libanus; Mod. Lat. olibanum (quasi oleum libani). (Extracts from H.T. Colebrooke, 'On Olibanum or Frankincense', Asiatick researches, or, Transactions of the society instituted in Bengal, for inquiring into the history and antiquities, the arts, sciences, and literature of Asia, Vol. 9, pp. 376-382). 8121.Myrrh: mura, mure, mule, more a species of fragrant plant, a vegetable perfume (Ka.); mur-al., mu_r-u myrrh (Ma.)], ta_laparn.i, ba_l.ia patri (ba_l.a the cuscus-grass), surabhi (the gum olibanum tree, boswellia thurifera; gum olibanum) Synonym of mura: gandhini, gandha-kut.i a kind of perfume; gandhavati, gandha_ri a kind of perfume (Ka.) (Ka.lex.) Notes from Theophrastus' enquiry into plants and odours: {Emphasis added in the following extracts from Theophrastus (born in 370 B.C.) highlights the possible link of some pictographs on Indus seals to the fragrances and fragrant substances traded from India and Arabia. Alexander's followers gave Theophrastus the accounts of such plants as the cotton-plant, banyan, pepper, cinnamon, myrrh and frankincense.} "Of the trees and herbs special to Asia: In different parts of Asia also there are special trees, for the soil of the various regions produces some but not others... that in India ivy appears on the mountain called Meros, whence, according to the tale, Dionysus came. Wherefore it is said that Alexander, when he came back from an expedition, was crowned with ivy, himself and his army... The Indian land (Plin. 12.22 and 23) has its so-called 'fig-tree' (banyan), which drops its roots from its branches every year...; and it drops them, not from the new branches, but from those of last year or even from older ones; these take hold of the earth and make, as it were, a fence about the tree, so that it becomes like a tent, in which men sometimes even live... There is another tree (banana) whose leaf is oblong in shape, like the feathers of the ostrich; this they fasten on to their helmets, and it is about two cubits long. There is also another whose fruit is long (mango) and not straight, but crooked, and it is sweet to the taste. This causes griping in the stomach and dysentery; wherefore Alexander ordered that it should not be eaten. There is also another (jujube) whose fruit is like the fruit of the cornelian cherry... The ebony is also peculiar to this country; of this there are two kinds, one with good handsome wood, the other inferior... Some say that a 'terebinth' (pistachio-nut) grows there also, others that it is a tree like the terebinth... The trees from which they make their clothes (cotton-plants) have a leaf like the mulberry, but the whole tree resembles the wild rose. They plant them in the plains in rows, wherefore, when seen from a distance, they look like vines... In the country called Aria there is a 'thorn' (balsamodendron mukul; Plin. 12,33) on which is found a gum resembling myrrh in appearance and smell, and this drops when the sun shines on it... In other parts there is a white 'thorn' which branches in three, of which they make batons and sticks; its wood is sappy and of loose texture, and they call it the thorn 'of Herakles'. There is another shrub (asafoetida) as large as a cabbage, whose leaf is like that of the bay in size and shape. And if any animal should eat this, it is certain to die of it. Wherefore, wherever there are horses, they kept them under control. In Gedrosia they say that there grows one tree (nerium odorum) with a leaf like that of the bay, of which if the beasts or anything else ate, they very shortly died with the same convulsive symptoms as in epilepsy... (Aromatic Plants:) Among the plants that grow in Arabia Syria and India the aromatic plants are somewhat exceptional and distinct from the plants of other lands; for instance, frankincense myrrh cassia balsam of Mecca cinnamon and all other such plants, about which we have spoken at greater length elsewhere. So in the parts towards the east and south there are these special plants and many others besides.... (Of the various kinds of plant-juices and the methods of collecting them:)... in some (plants) it is of gummy character, as in silver-fir fir terebinth Aleppo pine almond kerasos (bird-cherry) bullace Phonecian cedar prickly cedar acacia elm. For this last also produces a gum, though it does not exude from the bark, but is found in the 'bag' of the leaves; there also the juices from come frankincense and myrrh; for these too are gums; so too are balsam of Mecca khalbane (galbanum; Plin. 12.121; 24.21) and any others of the kind that there may be, such as, they say, the Indian akantha, from which comes something resembling myrrh; and a similar substance forms on mastich and the spinous plant called ixine (pine-thistle), whence mastic-gum is made. All these have a fragrant odour, as in general have those which contain a viscous substance and are fatty; while those that are not fatty have no scent, as gum and the juice which exudes from the almond... tragacanth... is well known to grow also in... Asia in the Median country. In all these plants the gum also occurs in the stems the trunks and the branches, but in some plants it is found in the roots, as in alexanders scammony and many other medicinal plants. In some it is found in the stem and also in the root; for of some plants they tap the stem and the roots as well, as is done with silphium. Now the juice of alexanders is like myrrh, and some, having heard that myrrh comes from it, have supposed that, if myrrh is sown, alexanders comes up from it (cf. Plin. 19.162, where smyrnium is given as a synonym); for, as was said, this plant can be grown from an exudation, like the krinonia (lily) and other plants. The juice of silphium is pungent like the plant itself; for what is called the 'juice' of silphium is a gum... The frankincense and myrrh trees they say should be cut at the rising of the Dogstar and on the hottest days, and so also the 'Syrian balsam' (balsam of Mecca)... (Of frankincense and myrrh: various accounts:) As to frankincense myrrh balsam of Mecca and similar plants it has been said that the gum is produced both by incision and naturally... So too concerning the other fragrant plants; most of these come from places in the south and east. Now frankincense myrrh cassia and also cinnamon are found in the Arabian peninsula about Saba Hadramyta Kitibain and Mamali. The trees of frankincense and myrrh grow partly in the mountains, partly on private estates at the foot of the mountains; wherefore some are under cultivation, others not; the mountains, they say, are lofty, forest-covered and subject to snow, and rivers from them flow down to the plain. The frankincense-tree (Plin. 12.55 and 56), it is said, is not tall, about five cubits high, and it is much branched; it has a leaf like that of the pear, but much smaller and very grassy in colour, like rue; the bark is altogether smooth like that of bay. The myrrh-tree is said to be still smaller in stature and more bushy; it is said to have a tough stem, which is contorted near the ground, and is stouter than a man's leg; and to have a smooth bark like that of andrachne. Others who say that they have seen it agree pretty closely about the size; neither of these trees, they say, is large, but that which bears myrrh is the smaller and of lower growth; however they say that, while the frankincense-tree has a leaf like that of bay and smooth bark, that which bears myrrh is spinous and not smooth, and has a leaf like that of the elm, except that it is curly and spinous at the tip like that of the kermes-oak. These said that on the coasting voyage which they made from the bay of the Heroes they landed to look for water on the mountains and so saw these trees and the manner of collecting their gums (Plin. 12.58-62). They reported that with both trees incisions had been amde both in the stems and in the branches, but that, while the stems looked as if they had been cut with an axe, in the branches the incisions were slighter; also that in some cases the gum was dropping, but that in others it remained sticking to the tree; and that in some places mats woven of palm-leaves were put underneath, while in some the ground underneath was merely level and clean; and that the frankincense on the mats was clear and transparent, that collected on the ground less so; and that that which remained sticking to the trees they scraped off with iron tools, wherefore sometimes pieces of bark remained in it. The whole range, they said, belongs to Sabaeans; for it is under their sway, and they are honest in their dealings with one another. Wherefore no one keeps watch; so that these sailors greedily took, they said, and put on board their ships some of the frankincense and myrrh, since there was no one about, and sailed away. They also reported another thing which they said they had been told, that the myrrh and frankincense are collected from all parts in the temple of the sun; and that this temple is the most sacred thing which the Sabaeans of that regions possess, and it guarded by certain Arabians in arms. And that when they have brought it, each man piles up his own contribution of frankincense and the myrrh in like manner, and leaves it with those on guard; and on the pile he puts a tablet on which is stated the number of measures which it contains, and the price for which each measure should be sold; and that, when the merchants come, they look at the tablets, and whichsoever pile pleases them, they measure, and put down the price on the spot whence they have taken the wares, and then the priest comes and, having taken the third part of the price for the god, leaves the rest of it where it was, and this remains safe for the owners until they come and claim it... Both trees (frankincense and myrrh), it is said, grow in the same region; the soil is clayey and caked, and spring waters are scarce. Now these reports are contradictory to that which says that the country is subject to snow and rain and sends forth rivers. However others make the statement (i.e. the statement quoted of the myrrh-tree) that the tree is like the terebinth; in fact some say that it is the same tree; for that logs of it were brought to Antigonus by the Arabs who brought the frankincense down to the sea, and that these did not differ at all from logs of terebinth... the account derived from those who sailed from the city of Heroes is more to be believed; in fact the frankincense-tree which grows above Sardes in a certain sacred precinct has a leaf like that of bay, if we may judge at all by this; and the frankincense derived both from its stem and its branches is like in appearance and in smell, when it is burnt as incense, to other frankincense. This is the only tree which can never be cultivated. Some say that the frankincense-tree is more abundant in Arabia, but finer in the adjacent lands (Plin. 12.60) over which the Arabians bear rule; for there it is said that they mould the gum on the trees to any shape that they please. And perhaps this is not incredible, since it is possible to make any kind of incision that they like. Some of the lumps of gum are very large, so that one is large enough in bulk to fill the hand and in weight is more than a third of a pound. All frankincense is gathered in the rough and is like bark in appearance. Myrrh (i.e. here the commodity so called) is either 'fluid' (myrrh-oil; cf. Odor. 29) or 'solid' (agglutinated). That of better quality is tested by its taste, and of this they select that which is of uniform colour. Now of frankincense and myrrh these are about all the facts that have come to our notice at present... (Of cinnamon and cassia: various accounts:) Of cinnamon and cassia the following account si given: both are shrubs, it is said, and not of large size, but of the same size as bushes of chaste-tree, with many branches and woody... it is the bark (of cinnamon) and not the wood which is serviceable... Cassia, they say, has stouter branches, which are very fibrous and difficult to strip of the bark; and it is the bark of this tree also which is serviceable... (Of balsam of Mecca:) Balsam of Mecca grows in the valley of Syria. They say that there are only two parks in which it grows, one of about four acres, the other much smaller. The tree is as tall as a good-sized pomegranate and is much branched... the fruit is like that of the terebinth in size shape and colour, and this too is very fragrant, indeed more so than the gum. The gum, they say, is collected by making incisions, which is done with bent pieces of iron at the time of the Dog-star, when there is scorching heat... in a day a single man collect a shell-full; the fragrance is exceedingly great and rich, so that that which comes from a small amount is perceived for a long distance... what is collected is mixed with other things... the boughs cut off can be sold for a good price... Balsam is said not to grow wild anywhere. From the larger park are obtained twelve vessels containing each about three pints, from the other only two such vessels; the pure gum sells for twice its weight in silver, the mixed sort at a price proportionate to its purity. Balsam then appears to be of exceptional fragrance. (Of other aromatic plants-- all oriental, except the iris :) Sweet-flag and ginger grass grow beyond the Libanus between that range and another small range, in the depression thus formed... where the sweet-flag and ginger-grass grow, there is a large lake, and they grow near it in the dried up marshes, covering an extent of more than thirty furlongs... the fragrance is wasted to ships approaching the country... it is said that in Arabia the breezes wafted from the land are fragrant... fragrance... that of khalbane is more oppressive and somewhat medicinal; for this perfume also is produced in Syria from the plant called all-heal. As to all the other fragrant plants used for aromatic odours, they come partly from India whence they are sent over sea, and partly from Arabia, for instance, komakon-- as well as cinnamon and cassia. The fruit called komakon is said to be distinct from this; the komakon of which we are speaking is a perfume which they mix with the choicest unguents. Cardamom and Nepaul cardamom some say come from Media; others say that these come from India, as well as spikenard and most, if not all, of the other spices. Now this is a general list of the plants used for perfumes:-- cassia cinnamon cardamom spikenard nairon balsam of Mecca aspalathos storax iris narte kostos all-heal saffron-crocus myrrh kypeiron ginger-grass sweet-flag sweet marjoram lotos dill. Of these it is the roots, bark, branches, wood, seeds, gum or flowers which in different cases yield the perfume. Some of them grow in many places, but the most excellent and most fragrant all come from Asia and sunny regions. From Europe itself comes none of them except iris... (Concerning odours :)... For tastes and odours alike are derived from these two things: the method of the makers of spices and perfume-powders is to mix solid with solid, that of those who compound unguents or flavour wines is to mix liquid with liquid: but the third method, which is the commonest, is that of the perfumer, who mixes solid with liquid, that being the way in which all perfumes and ointments are compounded. Further one must know which odours will combine well with which, and what combinations makes a good blend... the two senses of taste and small being akin to one another... while some need even to be bruised and broken up, and others to be subjected to fire, as myrrh frankincense and anything that is burnt as incense... frankincense and myrrh, since they are by nature of even closer texture than roots, need a gentle application of fire, which, by gradually warming them, will cause the scent to be exhaled... (Of the oils used as the vehicle of the perfume :)... The oil most used is that derived from the Egyptian (balanites aegyptiaca, balanos) or Syrian balanos, since this is the least viscous; the olive-oil... almond oil... They use spices in the making of all perfumes; some to thicken the oil, some in order to impart their odour... that which is put in last always dominates, even if it is in small qantity... sesame (oil) being specially receptive (has keeping quality)... Sesame-oil however receives rose-perfume better than other oils... (Of the spices used in making perfumes and their treatment :) Almost all spices and sweet scents except flowers are dry hot astringent and mordant... to make kypros they put in cardamom and aspalathos, having first steeped them in sweet wine. To make rose-perfume they put in ginger-grass aspalathos and sweet-flag... Into rose-perfume moreover is put a quantity of salt... twenty-three gallons of salt being put to eight gallons and a half of the perfume... quince-perfume... (Of the various parts of plants used for perfumes, and of the composition of various notable perfumes :) Perfumes are compounded from various parts of the plat, flowers leaves twigs root wood fruit and gum: and in most cases the perfume is made from a mixture of several parts. Rose and gilli-flower perfumes are made from the flowers: so also is the perfume called susinon, this too being made from flowers, namely, lilies: also the perfumes named from bergamot-mint and tufted thyme, kypros, and also the saffron-perfume; the crocus which produces this is best in Aegina and Cilicia. Instances of those made from the leaves are the perfumes called myrtle and drop-wort: this grows in Cyrprus on the hills... From roots are made the perfumes named from iris spikenard and sweet marjoram, an ingredient in which is koston; for it is the root to which this name is applied. The Eretrian unguent is made from the root of kypeiron, which is obtained from the Cyclades as well as from Euboea. From wood is made what is called 'palm-perfume': for they put in what is called the 'spathe', having first dried it. From fruits are made the quince-perfume, the myrtle, and the bay. The 'Egyptian' is made from several ingredients, including cinnamon and myrrh. Again from several parts of the plant is made the perfume called megaleion, which is made from cinnamon... (missing) and from the myrrh when it bruised flows an oil: it is in fact called stakte (in drops)... Some say that this is the only simple uncompounded perfume, and that all the others are compound, though made from a larger or smaller number of ingredients... the manufacture of stakte (myrrh-oil) is as follows: having bruised the myrrh and dissolved it in oil of balanos over a gentle fire, they pour hot water on it: and the myrrh and oil sink to the bottom like a deposit; and, as soon as this has occurred, they strain off the water and squeeze the sediment in a press. Megaleion, these authorities say, is compounded of burnt resin and oil of balanos, with which are mixed cassia cinnamon and myrrh. They add that this perfume and the Egyptian are the most troublesome to make, since no others involve the mixture of so many and such costly ingredients. To make megaleion, they say, the oil is boiled for ten days and nights, and not till then do they put in the resin and other things... it is desired that the Egyptian and kypros should look white and that quince-perfume should have the colour of quinces... The dye used for colouring red perfumes is alkanet; the sweet marjoram-perfume is dyed with the substance called khroma (dye), which is a root imported from Syria.. (Of the medicinal properties of certain perfumes :) Megaleion is believed to relieve the inflammation caused by any wound, and rose-perfume to be excellent for the ears... (Of rules for the mixture of spices, and of the storing of various perfumes :) There is no fixed rule for the combination and mixture of spices in the sense that the same components will always produce a satisfactory and a uniform result... Those which last longest are the Egyptian, the iris, the sweet marjoram and the spikenard perfumes: but myrrh-oil has the longest life of any; for it will keep any time... perfumers seek upper rooms which do not face the sun but are shaded as much as possible... put them into vessels of lead and try to secure phials of alabster (stone) -- a stone of which has the required effect: for lead is cold and of close texture, and stone has the same character... (Of the properties of certain perfumes :) Headache is caused by sweet marjoram spikenard and megaleion among costly perfumes... rose-perfume and kypros... best suited to men... the best for women are myrrh-oil, megaleion, the Egyptian, sweet marjoram, and spikenard... a lasting perfume is what women require... (Of the making of perfume-powders and compound perfumes :)... the custom is to use a mixture made of all kinds... while some perfumes are never added, such as galingale... When they make compound perfumes, they moisten the spices with fragrant wine... these compound perfumes last a long time. They are used to impart a pleasant odour to clothes, while the powders are used for bedding... " (A. F. Hort (trans.), Harvard University Press, Theophrastus, Enquiry into Plants, I, 1916, Book IV 'Of the trees and plants special to particular districts and positions', pp. 309- 323; Book IX 'Of the juices of plants, and of the medicinal properties of herbs', pp. 217-315; Minor Works 'Introduction to the treatise concerning odours and concerning weather signs', pp.324-435). 8122.Perfume-related products: The numbers in parenthesis () are references to verses: (7) vyo_dha_padi_ suvanha_ musali_ (var. mus.ali_ perhaps anthericum tuberosum) ta_lamu_lika_ ajas'r.n:gi_ (described as a milky and thorny plant, with a fruit shaped like a ram's horn; and used as a medicine for the eyes) vis.a_n.i_ go_jihva_ (go_gi_, a potherb wild in corn fields, perhaps phlomis esculenta) da_rvvike_ (var. darvika_) ta_mbu_lavalli_ (piper betel) ta_mbu_li_ na_gallapa {The following six articles are perfumes of different sorts}: (8) dvija_ hare_n.u_ re_n.uka_ kaunti_ kapila_ bhasma gandhini_. So are the following listed as perfumes: (9) e_lava_lukam aile_yam sugandhi hariva_lukam va_lukam; pa_lankya_ (var. pa_lanki_) mukundah- kunda (var. kundu) kundaru_ (perhaps the resin of boswellia serrata); (10) va_lam (perhaps andropogon schoenanthus) hr.i_ve_ra varhis.t.am divyam (all synonyms of hair and of water, ke_s'a_mbuna_ma); ka_la_nusa_ryya vr.dva_smapus.ya s'i_tas'iva_ni (benzoin); (11) s'aile_yam ta_laparn.i_ de_tya_ gandhakut.i_ mura_; gandhini_ (boswellia serrata) gajabhaks.ya_ suvanha_ surabhi_ rasa_; (12) mahe_ran.a_ kunduruki_ s'allaki_ (var. sallaki_, sillaki_, s'illaki_); hla_dini_ agnijva_la_ subhiks.e_ dha_taki_ dha_tr. pus.pika_ (lythrum fruticosum or grislea tomentosa); (13) pr.thvi_ka_ candra va_laila_ nis.kut.i bad.d.ala_ [large cardamoms (Pkt.)]; kucika_ tuttha_ ko_ran:gi_ triput.a_ trut.ih- (small cardamoms); (14) vya_dhih- kus.t.ha paribha_vyam vya_pya pa_kalam utpalam (perh. a sort of costus); s'an:khini_ co_rapus.pi_ ke_s'inya (andropogon aciculatum); vitunnakah- (bhu_mia_mala_ci_; ?flacourtia cataphracta); (15) jhat.a_mala_ jhat.a_ ta_li_ s'iva_ ta_malaki_ prapaun.d.ari_kam pun.d.aryyam (a small herbaceous plant, with leaves like hedysarum gangeticum; used as a remedy for diseased eyes); tunnah- kuve_rakah- (cedrela toona) (16) kun.ih- (var. tun.i) kacchah- ka_ntalako_ nandivr.ks.o_; ra_ks.asi_ can.d.a_ dhanahari_ ks.e_ma dus.pattra gan.aha_saka_h- (kho_r, a sort of perfume); (17) vya_d.a_yudham vya_ghranakham karajam cakraka_rakam s'us.ira_ vidrumalata_ kapo_ta_ghri nat.i_ natni_ (nakhi_ and other perfumes); (18) dhaman ajanake_s'i_ hanu hat.t.avila_sini_ (these may be synonyms of the preceding list); s'ukti s'an:kha khura ko_ladalam nakham (nakhi_ and these articles, as also the articles before-mentioned are stated as vegetable perfumes; but what is sold under this head, appears to be a dried shell-fish; according to some all these are synonymous with the two preceding lines starting with kun.i kaccha etc.); (19) d.haki_ (tubari_, a fragrant earth) ka_ks.i_ mr.tsna_ tubarika_ mr.ta_laka sura_s.t.rave kut.annat.am da_s'apuram va_ne_yam paripe_lavam (cyperus rotundus); (20) plava go_pura go_nardda kaivartti mustaka_ni granthiparn.am s'ukam varhipus.pam sthaun.e_ya kukkare_ (said to be a perfume) (21) marut ma_la_ pis'una_ spr.kka_ (var. pr.kka_) de_vi_ lata_ laghuh- (piring or asparac, medicago esculenta) smudra_nta_ badhu_h ko_t.ivars.a_ lan:ko_pike_ ; (22) tapasvini_ jat.a_ma_m.si_ jat.ila_ lo_mas'a_ misi_ (spikenard, valeriana jatamansi) tvakapatram utkat.am bhr.n:ga tvaca co_cam vara_n:kam (the first three terms may signify malobathrum and the next three, the cassia bark) (23) karcu_rako_ dra_vid.aka ka_lpako_ ve_dhamukhyakah- (zerumbet or zedoary, curcuma zerumbet)(Amarako_s'a, Book II. IV.4, 8 to 21; H.T. Colebrooke (tr.) Kosha or Dictionary of the Sanskrit Language, Delhi, Nag Publishers, 1807, Repr. 1989, pp.114-118). 8123.Thirty-two fragrant substances: o_ma_likai fragrant substances put in water used for drinking and bathing, of which there are 32, viz., ilavan:kam, paccilai, kacco_lam, e_lam, na_kan.am, ko_t.t.am, na_kam, mata_varici, takko_lam, nan-n-a_ri, ven:ko_t.t.am,kattu_ri, ve_ri, ila_miccam, kan.t.il-ven.n.ai, kat.u, nelli, ta_n-r-i, tuttam, van.n.akkacco_lam, are_n.ukam, ma_ci, cayile_kam, pur..uku, pun-n-ainar-unta_tu, puliyukir, caral.am, tama_lam, vakul.am, patumukam, nun.n.e_lam, kot.uve_ri (Cilap. 6,77, Urai.)(Ta.lex.) The art of ka_cchika (Br.hat. LXXXVI. 41), the cosmetic maker: gandhayuktija_ bahubhir dravyair mis'ritair vis'sis.t.ataram. sugandhadravyam. ye utpa_dayanti (Utpala on Br.hat. XV. 12); gandhayukti is a combination of a variety of ingredients to create exquisite perfumes. Br.atsam.hita_ lists the processes : pakva (dedoction), tapta (heating), sam.yuta (mixing), pradhu_pa, dhu_pya (fumigation), sikta (sprinkling); bodha, prabodha, udbodha (combination of solids or powders). Blending solids, bodha; blending liquids, vedha: Utpala adds purification (dravya-sam.ska_ra) and blending of liquids (vedha). The two-fold mixings involving solids and liquids is echoed in Theophrastus' treatise concerning odours. Mixing of a powder with a liquid is mentioned as bha_vana (Br.hat. LXXV. 5,6). "e_lava_lukam ... tapasvani_ jat.a_ma_m.si_ jat.ila_ lo_mas'a_ misi_ tvakapatram utkat.am bhr.n:ga tvaca co_cam vara_n:gakam karcu_rako_ dra_vid.aka ka_lpako_ ve_dha mukhyakah-" (Amarako_s'a. IV.IV. 9-23: the three first terms tvaca etc. may signify malabathrum; and the three next tvaca etc., the cassia bark; karcu_raka is curcuma zerumbet; variant reading for ka_lpaka is ka_lyaka). The ingredients mentioned in Br.hatsam.hita_ include: tvac, kus.t.ha, ren.u, nalika_, spr.kka_, rasa, tagara, va_laka, kesara, patra (for hair-bath); majis.t.ha_, vya_ghranakha, s'ukti, tvac, kus.t.ha, tila-taila (hair-oil); for perfumes: patra, turus.ka, va_la, tagara (to create a perfume called smaroddi_pana); vya_maka, kat.uka_, hin:gula (to create a perfume called vakula); these with kus.t.ha (a perfume called utpala-gandhika, lotus-scent); these with candana (a perfume called campaka, campaka-scent); these with ja_ti_phala, tvac and kustumburu (a perfume called atimuktaka, jasmine-scent). vakula was the standard bearer of scents; eighty-four perfumes were recommended to match the fragrance of vakula by mixing nine ingredients in a variety of proportions: rodha, us'i_ra, nata_, aguru, musta_, pattra, priyan:gu, vana and pathya_. Any three of these plus: candana, turus.ka, s'ukti, s'atapus.pa_, kat.uka_, hin:gula and gud.a. These eighty four are ke_sara-gandha_h- hair-perfumes. There are also general-purpose perfumes called sarvatobhadra with sixteen ingredients used in a variety of proportions: 2,3,5 and 8 portions of aguru, pattra, turus.ka and s'aileya; 5,8,2 and 3 portions of spr.kka_, tvac, tagara and ma_m.si_; and 7,6,4 and 1 portions of candana (malaya), nakha, s'ri_ka, kunduruka. Four of these substances yielding a total of eighteen portions results in perfumes after bodha combination with nakha, tagara, turus.ka, ja_ti_, karpu_ra, mr.gakr.ta (musk) and fumigated (dhu_pya_) with gud.a and nakha. The last mentioned nakha etc. since they constitute the last additives are the principal dominant scent-yielding ingredients. Incenses: Incenses (dhu_pa) include ingredients such as : (1) s'atapus.pa, kunduruka, nakha, turus.ka, malaya (candana), priyan:gu fumigated haritaki_, then with gud.a and nakha; (2) guggulu, va_laka, la_ks.a_ (lac), musta_, nakha and s'arkara_ (granulated sugar); (3) ma_m.si_, va_laka, turus.ka, nakha and candana yielded pin.d.a-dhu_pa (perfume lump); (4) la_ks.a_, guggula, karpu_ra, ra_la, kun.t.uru, silhaka (turus.ka?), s'ri_khan.d.a, sarala (wood), laghu-kos.t.ha, va_laka, ma_m.si_, kun:kuma (saffron), pathya_, mr.gakr.ta (musk), pu_ti-bi_jaka, s'an:kha-na_bhi, nakha, s'arkara_, madhu (honey), ghr.tam (clarified butter), gud.a [from this list, excluding the liquids, the mixture with laghu-karpu_ra yielded cu_rn.a-dhu_pa (incense powder); mixed with gud.a yielded pin.d.a-dhu_pa (incense lump)]. s'ri_va_saka, sarja, s'an:kha, ghana, drava (rasa), utpala also are ingredients of dhu_pa types which number seventy-two. Other ingredients mentioned are: madanaka, cola. [A commentary refers to the exudation of devada_ru as kunduruka (Br.hat LVI.2; kunduruko devada_ruvr.ks.a-nirya_sah-); devada_ru, cedrus libani grows on the Himalayas at 5000 to 8,500 ft. (F.C. Ford Robertson, Our Forests, pp. 10,37). 8124.Sacred incense: "Sacred incense qetoret was compounded of four aromatic substances: stacte, onycha, galbanum and frankincense. this fragrant powder, expertly prepared by ancient apothecaries and mixed in equal proportions, was tempered with salt and was forbidden, under the penalty of death, to be used for ordinary or profane purposes (Ex. 30, 34-38)... The usage of incense for religious or cultic purpose was common in ancient times among the Cannanites, Egyptians, Babylonians, etc... From the time of Solomon the temple was considered the sole place where incense might be offered to God... The ascending cloud of an incense-offering had the symbolical significance of prayer." (John E. Steinmuiller and Kathryn Sullivan, Catholic Biblical Encyclopaedia, Old Testament, New York, Joseph F. Wagner, Inc., 1956, p.494). "The three aromatics that were to supplement frankincense (in the tabernacle and in the temple) are named: (1) nataph, 'stacte', an exuding gum, according to some authorities, of the myrrh shrub (elsewhere expressed by the Hebrew mor), according to others, of the storax; (2) sheheleth 'incense nail', 'sea clove', the shell of a mussel, strongly pungent under combustion; (3) helbenah, Lat. galbanum, 'heart resin', abundant in Syria... These substances were to be mingled 'after the art of the perfumer' and salted... Later Jewish observance... added seven additional aromatics as follows: myrrh, cassia, spikenard, saffron, costus, calamus and cinnamon..." (Samuel Macauley Jackson, (ed.), The New Schaff-Herzog Encyclopedia of Religious Knowledge, Grand Rapids, Michigan, Baker Book House, p. 469). Out of the seven additional aromatics, one was called maaleh ashan in the Talmud... this had the property of causing the smoke of incense to rise in a straight column... Spices. (Hebrew besamim) "The use of spices both as condiments and for perfume was widespread in ancient times. The maiden in the Song of Songs was perfumed with 'myrrh and frankincense and with all the powders of the merchant'... it was customary to burn spices after a meal... spices are used in Jewish ritual today in the havdalah service marking the conclusion of the Sabbath, which includes the smelling of the spices together with the appropriate blessing." (R.J. Zwi Werblowsky and Geoffry Wigoder (Eds.), The Encyclopedia of the Jewish Religion, Jerusalem, Massada, PEC Press Ltd., 1966, p.200; p.365). Perfumery: Gandhayukti or science and craft of cosmetics and perfumery, according to Br.hatsam.hita_ (LXXVI): For hair-bath, the ingredients used are: cassia bark (tvac), costus (kus.t.ha), ren.u, nalika_, spr.kka_, resin (rasa) [rasa commiphora myrrha (Car. Ci. 23.152)], bignonia chelonoides (tagara), va_laka, kesara and patra; for hair-oil emitting the scent of the campaka (michelia champaka) flower, the powders of madder (mjis.t.ha_), vya_ghranakha, s'ukti, cassia bark, costus, resin and sesame oil were used; For perfumes the ingredients were: patra, turus.ka, va_la and bignonia chelonoides (tagara) to create samorddi_pana, 'kindler of passion.' The other composition called vakula included vya_maka, kat.uka_ and asafoetida; costus gave the fragrance of lotus (utpala-gandhika) and sandal powder that of campaka; the addition of ja_ti_phala (nutmeg), cassia bark and kustumburu (spice coriander) gave the fragrance of atimuktaka or jasmine flower. Eighty four perfumes of the fragrance of vakula could be produced with combinations of: rodhra, us'i_ra (root, vetiveria zizanioides (Car. Su. 4.8, 20,28,41,44), bignonia chelonoides (tagara), aguru, musta_, pattra, priyan:gu, vana and pathya_ (also called abhaya_, hari_taki_, terminalia chebula); any three of these substances were taken and mixed with one part each of sandal and turus.ka, a half of s'ukti and a quarter of s'atapus.pa_ and fumigated with kat.uka_, asafoetida and jaggery. Perfume grades called sarvatobhadra could be produced by combining, in different proportions (indicated in parenthesis and in groups of four the proportions add up to eighteen): aguru (2), pattra (3), turus.ka (5) and s'aileya (8); priyan:gu (4), musta_ (1), rasa (7) and kes'a (6); spr.kka_ (4), cassia bark (1), bignonia chelonoides (tagara)(7), and ma_m.si_ (6); sandal (7), nakha (6), s'ri_ka (4) and kunduruka (1); by thus blending four substances in a group, eighteen proportions for each perfume compound could be obtained. Each compound is combined with nakha, bignonia chelonoides (tagara), turus.ka, nutmeg, camphor and musk and fumigated with jaggery and nakha. Mouth-perfumes: The sixteen ingredients used for sarvatobhadra were taken at random and enriched with nut-meg, musk and camphor and sprinkled with the juice of mango fruits and honey to yields several mouth-perfumes with the fragrance of pa_rija_ta flower; they were made into small tablets for chewing. muhava_sa mouth-perfume (Jain.Skt.) Agnipura_n.a (CCXXIV.34) refers to mukha-va_saka formed by combining small cardamoms, cloves, kan:kola, nutmeg, nis'a_kara and ja_ti_-pattra and explains the process of making perfume-tablets called gut.ika_s for chewing. Bath powders: Any of the perfume combinations suggested which include s'ri_va_saka (or s'ri_ is the resin of a tree) and sarja make fine bath-powders by replacing these two by va_laka and cassia bark. In the Na_gara-sarvasva (IV.12), bath-powder is said to include: cassia bark, aguru, mustaka [cyperus rotundus (Car. Su. 4.3,11)], bignonia chelonoides (tagara), caura, sat.hi_, granthi, parn.aka, nakha and musk. According to Agni-pura_n.a the articles for bath, sna_na-dravya_n.i include: cassia bark, na_d.i_, phala, oil, saffron, granthi-parvaka, s'aileya, bignonia chelonoides (tagara), kra_nta, caula, camphor, ma_m.si_, sura_ and costus; bath perfumes are formed by mixing any three of these with musk. Incense: dhu_pa, incense was used for religious worship. 'The mixture of 1/4th of s'atapus.pa_ and kunduruka, 1/2 of nakha and turus.ka, and 1/4th of sandal and priyan:gu yielded an incense which was fumigated with jaggery and nakha. Utpala tells us that the practice among the perfumers was to fumigate first all these ingredients with hari_taki_ before doing so with jaggery and nakha. Another type of perfume was obtained by blending equal quantities of guggulu, va_laka, lac (la_ks.a_), musta_, nakha and sugar. The pin.d.a-dhu_pa (perfume lamp) was constituted by ma_m.si_, va_laka, turus.ka, nakha and sandal mixed in equal proportion. The Ca_lukya king Some_s'vara in his Ma_nasolla_sa (Vol. II, p.144, verses 1697b-1701a) gives a different list of ingredients for the formation of the pin.d.a-dhu_pa. According to him, equal proportions of the powder of lac, guggula, camphor, ra_la, kun.t.uru, silhaka (the same as turus.ka), s'ri_khan.d.a, sarala wood, laghu-kos.t.ha, va_laka, ma_m.si_, honey, clarified butter, and jaggery, except the liquids, when mixed with two parts of laghu-karpu_ra, yielded cu_rn.a-dhu_pa (incense powder), while the same including the liquids (silha, honey, clarified butter) when made into lump with the help of jaggery formed pin.d.a-dhu_pa. The highly prized incense called kopa-cchada was made from four parts each of sugar, s'aileyaka and musta_, two parts each of s'ri_va_saka and sarja, and one part each of nakha and guggulu mixed with the powder of camphor and done into lumps with honey. Many varieties of incense were obtained by combining nine aromatic ingredients, viz., hari_taki_, s'an:kha, ghana, drava (rasa or resin), va_laka, jaggery, utpala (costus), s'ailaka, musta_, inproportions indicated by multiple of 1/9th. Thus each of these substances mixed in different proportions yields eight dhu_pas, the total number being seventy-two.... Perumutations and combinations of the following sixteen ingredients give different kinds of frankincense: ghana, va_laka, s'aileyaka, camphor (karpu_ra), us'i_ra [the fragrant root of andropogon laniger or andropogon muricatus (Jain.Skt.)], na_gapus.pa, vya_ghra-nakha, spr.kka_, aguru, madanaka, nakha, bignonia chelonoides (tagara), coriander (dha_nya), camphor (karpu_ra), cola and sandal (malaya or that which grows in malaya mountains or Western ghats below the ka_ve_ri_ river). In no preparation more than one part of coriander need be added, and camphor should be added in still less proportion, for their smell is too strong, and if used in larger proportions they could diminish the fragrance of other substances. All these substances were first severally fumigated with s'ri_va_saka, sarja, jaggery and nakha and then mixed with musk and camphor." (Ajay Mitra Shastri, India as seen in the Br.hatsam.hita_ of Vara_hamihira, Delhi, Motilal Banarsidass, 1969, pp.241-243). [Was the incense silhaka obtained from the Turus.ka country (probably Bactria) and therefore, called turus.ka? cf. Amarako_s. (II.6.128) which sources silhaka from Turus.ka and Yavana countries. Saffron was sourced from Kashmir and Va_li_ka according to Amarako_s.a (II.6.123-4); or on the banks of the Indus (according to Ka_lida_sa (Raghuvam.s'a, IV.67).] Talcum powder (put.ava_sa): The ingredients are: cassia bark, us'i_ra, and pattra in equal proportions, small cardamom in half quantity; these are powdered and enriched with musk and camphor. The product put.ava_sa was applied to the whole body (an:goddhu_lana) and perhaps to perfume clothes. Hair-dye: s'ukla (an acid-gruel), kodrava tan.d.ula (paspalum scrobiculatum), loha-cu_rn.a (iron powder) are washed with kajika (vinegar), bovine urine and then boiled in slow fire, with nakha and gingely oil, and ground into a fine paste to dye grey hair. Myrobalan paste is also applied. The odour of iron is removed by using hair-bath preparations and scented oils. Tooth-sticks (danta-ka_s.t.ha): Tooth-sticks were twigs of creepers, shrubs and trees: vikan:kata, bilva, ka_s'mari, ks.ema-taru, banyan, arka, madhu_ka, s'iri_s.a, karaja, plaks.a, ja_ti, ficus religiosa, jujube, br.hati_ [solanum indicum (Car. Su. 4.9,30,38,44)], teak, s'ri_-phala, jasmine, kadamba, ni_pa, arjuna, karavi_ra, bha_n.d.i_ra, s'ami_, s'ya_ma_, s'a_la, as'vakarn.a, devada_ru, ca_t.uru_s.aka, priyan:gu, apa_ma_rga, rose apple, and pomegranate. The tooth-sticks could also be perfumed after immersing them in bovine urine. Chewing betel: ta_mbu_la preparation was an art according to S'ukra-ni_ti (IV.3.99). The ingredients were: cu_rn.a [lime; s'an:kha-cun.n.a shell powder (Jain.Skt.)], pu_ga-phala (areca nut), and pattra (betel leaf). Additives were spices like kakkola, clove and nutmeg. Va_gbhat.a's As.t.a_n:ga-hrdaya (Su_tra-stha_na, iII. 38; c. 625 AD) adds khadira (acacia catechu). cf. khadira acacia catechu (Car. Su. 3,34,13,43). ta_mbu_la stimulate dlove, added to physical charm, perfumed the mouth, gave strength, dispelled phlegmatic diseases and caused amorous intoxication. Mandasur inscr. of Kuma_ragupta and Bandhuvarman, ll.II-2 (CII, III, No.18) refers to it as an important item of women's toilet. Flowers and garlands: Both men and women used flowers and flower garlands (sraj, ma_la_, ma_lya, da_ma) (e.g. ma_lya-dhara, srag-dhara_, ma_lini_). Toiletries: Girls used tilaka; collyrium (such as bhan:ga_jana or bhinna_jana, srota_jana, saubha_jana) was used in worshipping manes and in religious rites. Unguents (anulepana, vilepana) were used. Women's foreheads were marked with saffron or hin:gulaka. Oil to anoint the body and to worship the manes was abhyajana. A soap used by males was phenaka. A circular mirror (possibly made of polished metals or glass) decorated Indra's banner (darpan.a, a_dars'a). Pliny refers to the superiority of Indian glass made of pounded crystal; Ceylon knew of glass mirror in the third century BC; The Periplus of the Erythraean Sea (p.45) refers to the import of crude glass in the firsty century AD at the Indian ports. (Ajaya Mitra Shastri, op cit., fn. p.249). Cosmetics and perfumery: 'Gandhasa_ra of Gan:ga_dhara (eleventh of twelfth century A.D.)... gives six processes for the preparation of cosmetics as follows: bha_vana_ (infusion of fragrant powders with the desired liquids), pa_cana (digestion of materials probably for curing purposes), bodha (tempering or intensifying the perfume), vedha (further intensification or 'excitation'), dhu_pana (fumigation with aromatic incenses, vapours etc.) and va_sana (preparation of scents utilizing the perfumes of flowers). Details are given of pa_cana process in terms of put.apa_ka, gartapa_ka, ven.upa_ka, dola_pa_ka, kharaparapa_ka, baijayu_ra and ka_lapa_ka... the text also mensions a number of fragrant aromatic substances such as pa_rija_ta, mukhava_sa (perfume to make the breath fragrant), gandhataila (scented oil), yallava_sa (dust of sandal and pollen of lotus in cold water), dhu_pa and varti (an unguent, eye salve, collyrium or any cosmetic in the form of a ball or pill). Further, the aromatic substances are classifed into several vargas (categories) in the following way: (i) patra varga (leaves): ta_lisapatra (flacourtia cataphracta), jhu_la, ra_makarpu_ra (a species of fragrant grass), prata_pa (calotropis gigantea), tulasi (holy basil), murva_ and damana; (ii) pus.pa varga (flowers): lavan:ga (cloves), mucukunda (pterospermum suberifolium), campaka (michelia campaka), surapus.pi_, priyan:gu and s'epha_li; (iii) phala varga (fruits): mari_ca (pepper), kan:kola, su_ks.maila_ (small cardamoms), ja_iphala (nutmeg), ren.uka_, haritaki (terminalia chebula), a_malaki (embelic myrobalan), lata_kastu_ri_ (hibiscus moschatus) and the like; (iv) tvag varga bark): karpu_ratvak, lavan:gatvak, kharjurakaus'a, raktacandana, devada_ru etc.; (v) mu_la varga (roots): pus.kara mu_la, bhadramusta_, gandhamusta_ and the like; (vii) nirya_sa varga (exudations): karpu_ra, silha_rasa, guggula etc.; and (vii) ji_va varga (organic): kastu_ri (hibiscus abelmoschus), nakhi_ [?unguis odoratus; cf. barbara, varvara unguis odoratus (Skt.)(CDIAL 9149)], saya_la, madhu (honey) etc... According to Agnipura_n.a (c. 10th century A.D.)... utpalagandhi (lotus-scented saffron coloured oil) is prepared by intimately mixing equal quantities of cinnamon (tvac), mura_ (a type of fragrant plant), nardostachys jatamansi (nalada) and andropagan (va_laka), and then blending the mixture with oil... The perfume, ambergis (ambara in Sanskrit), was introduced into India by the Arabs probably in the eighth or ninth century A.D. It was used as sugandhadravya or sugandhaka. It was also referred to as ma_tsyika by virtue of the fact that this perfume is obtained from the entrails of the whales. Production of rose water and attar of roses, obtained from the petals of roses (for which Ghazipur in Uttar Pradesh is famous), was a well-known chemical practice in the medieval period. It would appear that the rose itself was introduced into India from Persia through the Arabs, and that the method of extracting attar (Arabic word: itr meaning perfume) was discovered by the mother of Nurjehan in A.D. 1612. A_in-Akbari gives a detailed account of the use of rose water in the preparation of perfumes.. and speaks of the regulations of the perfume office of Akbar... the royal baths were noted for an extravagant use of perfumes, both blended and natural, and this is borne out by the references found in the Ma_nasolla_sa of King Somesvara.' (D.N.Bose, S.N.Sen and B.V. Subbarayappa (eds.), A Concise History of Science in India, Indian National Science Academy, New Delhi, 1971, pp. 343-345). Boiling to infuse fragrance: "Some medicinal oils, and especially those used in the treatment of nervous diseases, rheumatism etc., are subjected to a third process (the first two are: tailapa_ka, ghr.tapa_ka) of boiling with various aromatic and fragrant substances. This is called the gandhapa_ka or boiling for rendering the oil fragrant. The following substances, or as many of them as are available, are used for scenting medicated oils, namely, cardamoms, cinnamon, cloves, fenugreek seeds, saffron, leaves of cinamomum tamala, white sandalwood, aloes wood, jata_mansi root, curcuma zedoria (sati), cyperus rotundus (mustaka), kakkola (an aromatic seed), resin of pinus longifolius (gandhaviraja), storax, long pepper root, root of andropogon muricatus (usira), nakhi (unguis odoratus), pouch of civet cat (khatta_si), camphor, musk, permelia perlata (saileya), root of aplotaxis auriculata (kus.t.a = saussurea hypoleuca), seeds of abelmoschus moschatus (lata_kastu_ri) etc." (Sanskrit Materia Medica, p.15). 8125.Incense: dhu_pa are of three kinds: cu_rn.adhu_pa, pin.d.adhu_pa, vartidhu_pa (Dhu_pabhoga in Ma_nasolla_sa (c. 12th century AD), Vol. II, 1939, G.O. Series, Baroda, pp. 144-145.) The names of dhu_pas are: kauma_radhu_pa, ma_he_s'varadhu_pa, a_gne_yadhu_pa, bhadram.karadhu_pa, raks.asaghnadhu_pa, uttamadhu_pa, das'a_n:gadhu_pa, mohadhu_pa, va_run.adhu_pa, caturan:gikadhu_pa, nandakadhu_pa, kan.adhu_pa, s'ri_dhu_pa, grahaghnadhu_pa, pun.yadhu_pa, s'is'ukadhu_pa, bra_hmadhu_pa, prati_dhu_pa, siddha_rthakadhu_pa, aris.t.adhu_pa, gan.adhu_pa, svastikadhu_pa, gr.hadhu_pa etc. upto forty kinds; Recipe for va_run.a dhu_pa is given: 'smr.tam. s'ri_ves.t.aka_ ... ra la_ks.a_ padmaka-candanam; sadevada_ru surasam. s'a_lajam. ceti yojayet; dhu_po'yam. va_run.o na_ma gri_s.maka_le pras'asyate.' (Page 280): Su_tikopakraman.i_ya--adhya_ya: 'sa_riva_ candanos'i_radra_ks.a_ padmakasa_dhitam; candanasya ca kalkena siddham. sarpirjvara_paham; candana_dyena siddham. pat.ola_dyena va_ ghr.tam. pa_yayet...' (Page 283): 'kalkena sa_riva_ s'un.t.hi_ lodhrada_d.ima-candanaih-.' (Page 290): (kukkun.acikitsita) 'sarpiman.d.am. sura_gram. ca aindri_m. candameva ca.' (Page 297): (visarpacikitsa_) 'gud.u_ci_m. madhukam. caiva candanam. ceti tat pibet; us'i_ram. candam.caiva s'a_d.valam. s'an:khamutpalam; hri_beram. candanos'i_ram....; vida_ri_m. candanos'i_ram. tatha_ candanasa_riva_m.; pat.olanimbamusta_na_m. candanos'i_rayorapi.' (Page 298) 'ta_li_s'am. ... candadvayam; mu_la_ni candanos'i_ram ...; kalkaih- ... candana_na_m. vipa_citam.' Other ingredients mentioned include: s'ukla_, ra_jana_, yas.t.i_, madhuka, bhadra, ka_koli_, abhaya_, haridre, aguru, ba_lhi_ka, raktapus.pa, tvakpatram ... (Ka_s'yapasam.hita_ (ed. by Rajaguru Hemaraja of Nepal, N.S. Press, Bombay, 1938; chapter on dhu_pakalpa, p.135: Siddha_rtha_rtha_s'ceti dhu_pa_ste catva_rim.s'aduda_hr.ta_h; bhis.agsiddhikara_ nr.n.a_m putrada_ rogana_s'anah-; these dhu_pas or different kinds of incense were used not only for medical purposes but also for scaring away ghosts etc. who were supposed to cause ill health. They had also some value as perfumes as some of the ingredients used in them were aromatic. The chapter on dhu_pakalpa is concluded with the story about the origin of dhu_pas: The rs.is were disturbed in their penance by ra_ks.asas. They approached vanhi (fire) for help. Vanhi gave them these dhu_pas as a means to scare away these ra_ks.as-- This is a mythical story about the origin of dhu_pas with a religious back-ground. Then follows a dhu_pa-japa: agnistva_ dhu_payatu, brahma_ tva_ dhu_payatu ... namo devebhya iti japet.); loc. cit. P.K. Gode, op cit., p.324). 8126.Aloes: elivaka aloes (M.)[cf. Nighan.t.aratna_kara of Pandit Vishnu Vasudev Godbole, 1867; loc. cit. P.K. Gode, p.351); Pliny (AD 70) states: 'The best aloe is brought out of India' (Hobson-Jobson, Article on Aloes, p.16]. 8127.Art of betel nut chewing: gan.d.u_s.apa_traka = tasta a tray for washing the mouth in (Skt.); pi_kada_ni_ = patadgraha or pratigra_ha or nis.t.hi_va-pa_tra or nis.t.hi_vana s'ara_va or spittoon (Skt.); pat.iggaha (Pali; Maha_vagga (c. 300-250 BC) Vinayapi_t.akam (ed. H. Oldenberg, London, 1879, Vol. I, p.271) [cf. lexicon of non-Sanskrit terms called the Ra_ja-vyavaha_ra-kos'a, Poona, 1880 by Raghuna_tha Pan.d.ita (AD 1676); loc. cit. P.K. Gode, op cit., p.184]. tastari_ = hasta-praks.a_laka wash-hand-basin (Pers.Skt.) Betel box: karan:ka = ta_mbu_la a_dha_ra betel box (Skt.lex.) Svastika: cf. brass 'sireh' boxed from Sumatra; some with svastika designs carved on their sides [(Case 5, Victoria and Albert Museum, London, Room 8 (metal work); cited in Penzer, 'Romance of Betel-chewing'-- citing Katha_saritsa_gara (Tawney's trans. Vol. VIII, pp. 249-254)]. chimbul areca-nut boxes; bekas sirih betel-leaf holders (Malay.) Seller of betle nuts: ta_mbo_l.i_ seller of betel-nuts (M.); tamboli, tamoli sellers of betel in N. Indian bazars; ta_mbu_la (Pers.); ta_mbu_l (Arab.); tembul (Marco Polo. ii,358)(Hobson-Jobson, pp. 913-914; loc. cit. P.K. Gode, op cit., p.173). 'According to Przyluski the word ta_mbu_la consists of the root-word bu_la and tam, which is a prefix, bu_la corresponds to Austro-Asiatic ba_lu and means 'something that is rolled'; cf. Przyluski, 'Emprunts Anaryens en Indo-Aryen', Bulletin de la Soc. de Linguistique de Paris, Vol. XXIV, 3rd. Fasc. (No.75), 1924, pp. 255-58; loc. cit. P.K. Gode, op cit., p.182). 'Ta_mbu_la was probably introduced sometime before or about the beginning of the Christian era in South India and then spread northwares.' (P.V. Kane, History of Dharmas'a_stra, B.O.R. Inst., Poona, 1941, Vol. II, p.734). Areca nuts: ad.akeya areca-nuts (Ka. inscr. AD 750-770 (EI, IX,22; Ka.lex.); ad.kitta_ nut-cracker (M.lex.) [ad.ake_ = betel nut; ko_yittu = cutting or chopping off (Ka.)[S'abdako_s'a by Date and Karve (M.), p.34); loc. cit. P.K. Gode, op cit., p.171). [or ad.aki areca nut + ottu to press or crack (Ka.); or ad.ake gatti or areca nut knife (Ka.)] Synonyms: gho_n.t.a_, pu_ga, kramuka, guva_ka, khapura (Amarrako_s.a, 169); su_d.o_, su_d.i_ (G.lex.) carota_ nut-cracker (A.); sarauta_ id. (H.); sa_rapatraka (Skt.)[cf. P.K. Gode, op cit., pp.175-176]. s'an:kula_ nut-cracker; s'an:kula_khan.d.a broken by nut-cracker (s'an:kula_ = kramuka_di bhe_dana sa_dhanam)(Skt.)[cf. s'an:kula_ a cutting instrument inferior to musala: Patajali's Maha_bha_s.ya (c. 150 BC); s'an:kula_ = utpala-patrika_ (S'abda Kalpadruma); broad-bladed knife or lancet (Monier Williams' Skt.lex.); cf. s'an:ku a pin (Skt.lex.); s'an:kula_ a pair of nippers (Siddheshwar Varma); P.K. Gode, op cit., p.179]. seere and penang =